Penguin Random House and BBC named in a transatlantic RECO Criminal Enterprise & The concern for Ashkenazi Jewishcivilians during these troubling times.
Stolen Fortunes and Broken Dreams
Yes, but is it Good for the Jews? No it fucking is not!
Jonny Geller is an absolutely disgusting, IP abusing creature, so says I.
This article is written in two parts. Read the second half before you accuse me of being antisemitic.
Part 1- Tangled Degradation.
Penguin Random House and The RECO case.
Penguin Random House were my preferred publisher, but then they refused to respond to prelitigation requests for the pending RECO which they are implicated in because of their relationship with Curtis Brown Group, Jonny Geller and Felicity Blunt, who are the filthiest IP thieves in the publishing industry and are the head of the RECO enterprise which is about to rock the whole industry… so I claim.
Here- https://www.mwwolf-fiction.co.uk/reco
HarperCollins knew about David Walliams for a little while, whilst they professionally assessed the allegations before knowing they had to drop him. Perhaps an independent writer concerned with the dark side of the entertainment industry provided them with information, who knows?
I have also written about my concerns over the dark side of the creative industries in my general bloghttps://www.mwwolf-fiction.co.uk/mw-wolfs-blog/the-dark-side-of-the-creative-industries
In M.W. Wolf’s Jungle Gun Phenomena- https://static1.squarespace.com/static/65eb1db03639bb52d877e350/t/6813f5e02d873248e8f558b1/1746138593388/Baby+Reindeer-+Describing+The+Industry+Man+Suspected+of+Grooming+and+Abusing+Young+Creatives.++.pdf
And in my Cries of Silence series- https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/cries-of-silence-deviance-amp-power-1
However, Penguin have failed to take the same necessary investigations and steps to clean up the filth. Penguin owns Century Publishing who is Lisa Jewell’s publisher, and she edits whatever she finds spat out by CBG’s Ai Slush Pile mining tools, onto Jonny Geller’s hotel room floor, whilst their children and partners are at home, then they pass the content off as original. Penguin Random House know this and remain silent and still work with CBG Jonny Geller, Blunt and Lisa.
Breaking the Dark is a blatant mash-up of stolen fiction from the M.W. Wolf catalogue of Fiction after materials were sent to Geller & Blunt and shared on a CBG writing course I attended. Check out this blog for more information - https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/breaking-the-dark-a-mash-up-of-stolen-fiction
Indeed, Geller has abused my whole body of trauma writing and used it to pump up assets to sell to his UTA buddy CEO Zimmer, a name with Ashkenazi Jewish roots, and together they are still abusing my work and used it in a pump and dump scheme to sell to EQT who have public shareholders. And that is serious fraud, like don’t pass go kind of criminal sentences.
Don’t believe me, check out my blogs, or the Riot Games cases in the US Ninth Circuit Court of Appeals, in which I’ve proven that their unethical legal team, of Josh Geller (relationship to Jonny Geller is unknown) lied to have the case dismissed in a lower court, and are also implicated in the wider RECO enterprise. https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/riot-games-reworked-arcane-in-mid-2020
Or go investigate CBG’s custom built Ai system called Brightfount, or their, now removed, online submission portal. Then come back and share your evidence with me.
Or read- https://www.curtisbrowncreative.co.uk/blog/submission-tips-jonny-geller
Both of these CBG systems have been misused to steal the submissions and the slush pile to feed into failing shows and to get the greenlighting of shows, books, movies ext., for Netflix, Penguin Random House, Riot Games, Tencent, Marvel, Disney, 20th century, Hulu, Sky, the BBC and others.
They mine the submissions for material with elements of cultural diversity and Inclusion to gain Government grants around the world, Like Riot did for Arcane. This is one of the reasons why my work was chosen, as it covered these themes. Then they do quid-pro quo-deals to gain casting roles for a bunch of their talent, such as Hailee Steinfeld, Ella Purnell, Amanda Overton, and many others, and also to gain writing credits in shark tank writing rooms, such as Mike O'Leary on Bodkin, Gareth Edwards on The Creator, and on and on.
The New Buffy Show
I believe this is why the new Buffy show with Sarah Michelle Gellar, agented in the UK by CBG and in the US by UTA was really cancelled. The source material to gain the greenlighting for full funding of the show is alleged to be The Fateless Child by M.W. Wolf, shared with Jonny Geller.
Buffy’s surname is different from the CEO’s of CBG, it has an A in place of the second E. Both are variants of Jewish Ashkenazic names.
The screenwriting sister duo Nora and Lilla Zuckerman, another common Ashkenazi Jewish surname, then went full on WOKE psychopath overboard with the New Buffy script, and I sent a blog to the publicists and legal teams, and less than three weeks later, the fully funded and full throttle go greenlit show they had already spent $12 million on, was suddenly cancelled. Go figure. https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/monitoring-assessment-new-buffy
These filthy abusers have been found out. Many of them, including Felicity Blunt, her husband Stanley Tucci and her sister Emily Blunt (Double Blunt- Tucci Triangle) are Jeffery Epstein beggars, literally getting Peggy Siegal to beg Epstein to attend Touchy-Tucci’s afterparties, long after Epstein was a known and convicted, prolific and sick paedophile still on the prowl at these events.
Epstein is a well-known Ashkenazi Jewish family name. Siegel is also a common Ashkenazi Jewish surname.
Side note,
The Double Blunt Wicked witches of Hollyweird are the gremlin daughters of Oliver Blunt KC. Oliver is a highly regarded King's Counsel (formerly Queen's Counsel) barrister specialising in serious criminal defence, based at Furnival Chambers in London. He is said to love a murder case and has defended hundreds of them. His exclusively defence-based practice also includes high profile sexual offences for example, Richard Baker “the DJ rapist.” He has several decades of defending terrorists including IRA trials, R v Sharif, arising out of the 21/7/05 attempted bombings in London, the Iranian embassy and its consular staff, Ul-Haq and Others, an ISIS related trial heard at the Central Criminal Court (2016). He also represented high profile and multimillion pound fraudsters including a Goldman Sachs banking fraud trial, shipping fraud, a multi-million pound arson/insurance fraud, and money laundering cases, electoral fraud trial, conspiracies to commit large scale mortgage fraud. He’s no stranger to drug cases either.
Oliver’s track record in the area of drugs crime is also extensive and impressive and includes successfully defending the first defendant Hillier in an £150 million cocaine importation case. He represented the defendant Goren in a multi-million pound conspiracy to import heroin from Turkey. He has appeared for the defendant Cornick in a case involving the importation of tonnes of cocaine, cannabis and amphetamine into the UK. In 2014 he secured the acquittal of the principal defendant in Mohanjit Bhatia and Others at Kingston Crown Court, but for Civil Liability, the fraudulent trading in 2006, resulted in orders to pay nearly £1.8 million to the company's liquidators.
The right honourable Oliver Blunt KC knows all the tricks of the trade, does all the methods. He gets all the worse scumbags off. No wonder his little razor teeth, thieving, Epstein begging, talentless princesses feel protected, enabled and entitled to be absolute filthy abuses and IP rapists, hungry for attention, greedy for money and open for anyone who opens doors for them. Disgusting, revolting creatures of the night… or at least the after parties.
Yes, I understand that with backing like this, and with billions of pounds of assets in the Wider RECO enterprise, I will be hit with obsessive and harassing counter litigation aimed at evading law and building false images of themselves as “victims.” It’s the same story repeatedly. And the papers print fairy tale stories of the rich and powerful being “Victims.” I’ve seen it happen and watched it happen to myself and to other people I’ve tried to help.
This case is quite telling- https://www.dailymail.co.uk/news/article-15478277/Artist-36-charged-Little-Britain-star-Matt-Lucas-stalked-blackmailed-man.html
Epstein and The Creative Industries.
No wonder they love to steal our work and don’t care about the damage they cause, when they are hanging with the pig Epstein, who pimps little girls, runs kompromat operations on public figures, politicians, celebrities, writers, and directors, and has his fingers stuffed up inside many agencies, including people in Curtis Brown Group, United Talent Agency, Waggingtail, Bryan Bantry Agency, 20th Century Fox, Wasserman Group and others, many of who link back to Jonny Geller.
https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/this-is-part-2-of-mw-wolfs-inside-the-epstein-files
Wasserman is also common Ashkenazi Jewish surname. 20th Century Fox’s CEO is Stacey Snider. The name Snider has Ashkenazi Jewish origins.
When people like Epstein and his beggars and clique of creatures literally call us goyim and think we are below them, they feel free to do whatever they want to bodies, flesh, young girls, pages, work, business and whole industries.
These fakers who pretend to be liberal and pretend to support diversity, misuse the incentives of Government to steal funds and redirect them to the hands of the few within their circles of abuse. They even misuse and misinterpret religion and dogma to justify their actions and to protect each other. Many of the abusers in the wider entertainment industry also play filthy in secret societies where they rub shoulders with Judges, law enforcement individuals, and many other powerful people who can and do silence people or make them disappear.
Epstein funded many of Peggy Siegal’s events. People At Curtis Brown Group, including Felicity Blunt and her CGB “writer” and husband Stanley Cookbook Tucci Teddy Bear, The coo-chi, coo-chi, woo-chi little chu-chi face potato head teddy bear, had dinners and after parties with, and begged for the presence of, Epstein.
United Talent Agency and people in their ecosphere had a working relationship with Epstein; he paid them for a service. They also sent Hailee Steinfeld, a recognized Ashkenazi Jewish surname, to one of these after parties when she was 14 years old.
https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/jeffrey-epstein-links-with-united-talent-agency
So yeah, like, if an agent only works with one-time-deal, high-profile figures, often from different countries but come to England to seek him out, you can bet it’s because he can navigate ways to not pay taxes.
Also, if you’re an agent getting paid to find talent in the 90% of writers who never make a living, and you have been gifted wealthy literary estates to manage, and you misuse this position to push your husband’s shit cookbooks which nobody needs, and you give away the trauma writing of a disabled and disadvantaged veteran, you really are a piece of satanic shit.
The filth and theft in the entertainment and creative industries is endemic. It really does need to be cleaned up. We need the US and UK Governments to launch public enquiries and class action cases and criminal cases against all of the abusers to wash them out.
I am very pleased to see that some of this justice has been happening recently. Particularly in the UK, under the British Labour Party. I’ve been informing and warning law enforcement and intelligent organisations in both the UK and US about these crimes for years now. Perhaps I’ve helped to wash out some of the filth. Lisa Nandy, the Secretary of State for Culture, Media and Sport of the United Kingdom, has been informed about these crimes since like 2024. Perhaps she is helping in the background, yet she has not formally addressed these concerns with me, nor has she publicly spoken about these pressing matters.
Some of the problem with getting MPs and UK law enforcement to raid and shutdown Curtis Brown Group for systematic IP abuse and fraudulent misuse of money and assets to the sum of billions, is there backing and there CEO.
Curtis Brown Groups CEO is the filthy, greedy, sticky-fingered rat-pig Jonny Geller. Probably the worst IP abuser the UK literary, film and talent industries have ever had to deal with. And he will be dealt with, for sure. Jonny Geller, the “Mega Agent” is well connected and well protected.
He is also Jewish. Because of the long history of anti-Semitism in the world, the atrocities of WW2, and the current geopolitical climate, just saying the word Jew feels risky. And if, I’m not saying he is, but if, Jonny Geller wanted to hide behind a shield of religion and claims that I’m an antisemite, I’d probably get arrested just because he complained. People have recently been arrested for posting far less.
I’m clearly not an antisemite nor ignorant of scripture, although in my reading, I’m only currently up to Deuteronomy, the fifth and final book of the Torah (Pentateuch) in the Old Testament.
BBC and Failures to Act
Original Talent Limited, the parent company of the prominent former UK talent and literary agency Curtis Brown Group, now owned by UTA in LA, was originally formed in 2016 with backing from BBC Worldwide (now BBC Studios), which held a minority stake. Some sources suggest 10%, others suggest their stake was larger.
The BBC is a public service broadcaster rather than a state-owned or private company. It operates under a Royal Charter and is funded principally by a licence fee paid by households. While it holds independence in its programming, the UK government sets the licence fee and appoints its leadership.
Thus, I allege, the contrived and clandestine asset manipulation, with stolen assets, then the Jonny Geller and UTA CEO Jeremy Zimmer Pump and Dump Scheme, selling to EQT has defunded and defrauded public and private stakeholders at both ends of their transatlantic RECO Enterprise and this has destabilised and weakened both US and UK creative IP related markets. The damage will show in coming years when whole economies are redirected, and these fat cats are retired on stolen billions.
As of March 31, 2026, EQT AB (publ) has a total of 1,235,107,956 ordinary shares issued. The public and "other" category of shareholders collectively hold approximately 25.3% of the share capital.
BBC = public victims at one end, and EQT AB= public victims at the other end. This is a serious crime organisation.
As stated, the UK government sets the BBC’s licence fee and appoints its leadership. They have a responsibility to make sure that their subsidiaries are legal, transparent and not abusing public funds for self-gain and redirection of wealth and abusing cultural tax brakes at the very same time. Thus, the circle again loops back to the Secretary of State for Culture, Media and Sport of the United Kingdom who are being played for fools, over and over by the very same abusers who have been backdoored in, used UK public funding to buyout Curtis Brown Group and then they sold the UK’s oldest literary agency with pumped up stolen assets, owned by a disabled and disadvantaged, and dyslexic, Veteran, who served this country in war. And the abusers also misuse cultural and diversity tax breaks to defraud the UK public purse.
No wonder the UK cannot recruit anyone into the Armed Forces and the economy is on its arse. Why would anyone go and die for their country if this is the way their wounded are treated, and their taxes are stolen.
Moreover, there is a very clear history of Government leniency on the endless BBC abusers, of which their have been many. BBC might as well be renamed ATA- Access to Abuse, seemingly with impunity, I might add. This public funded body has historically been misused for endemic abuse of all kinds of depravity. To name a few BBC affiliated sex criminals, and alleged sex criminals: Jimmy Savile, Stuart Hall, Rolf Harris, Huw Edwards, David Walliams, Scott Mills… alleged.
It is claimed that all of these named people were given lenient or even no sentences for their alleged crimes. Why? Perhaps they all used Oliver Blunt KC, master of getting horrible people off on horrible crimes.
It should be noted that I have not explained these individual cases. I’m not saying they were all guilty. I’m saying there is clearly a fundamental flaw in the BBC’s vetting process and their transparency, accountability and management of staff, their behaviours and their management over incidences of a sexual nature.
Fraud, cheating, and scam controversies linked to the BBC
Any article on alleged wrongdoing around the BBC should distinguish between three separate categories: misconduct by BBC staff or BBC-linked figures, scams carried out against the public using the BBC or TV Licensing name, and financial losses suffered by the BBC through evasion rather than internal fraud. Those categories are often blurred together in public discussion, but they are not the same thing legally or evidentially.
The clearest confirmed BBC-linked cheating scandal was the premium-rate phone-in controversy of the 2000s. Internal and external reviews found that viewers and listeners had, in a number of cases, been misled by competitions and audience participation formats. The best-known example was Blue Peter, where a child visiting the studio was asked to stand in as a fake competition winner after a technical failure. The wider review also touched BBC output including Saturday Kitchen, Smile, and a range of radio programmes, making this a documented case of audience deception rather than mere criticism or rumour.
Regulators treated that misconduct seriously. Ofcom records and contemporaneous reporting show sanctions against BBC services over unfair or misleading competitions, particularly where pre-recorded programmes were presented in ways that implied a live and genuine chance to enter. This matters because it shows that some BBC-linked misconduct crossed beyond reputational embarrassment into formally recognised regulatory breach.
A separate BBC-related fraud case involved Dan Penteado, a presenter associated with the BBC’s Rogue Traders. In 2012 he admitted benefit fraud offences involving more than £24,000 and was jailed. That was not fraud by the BBC as an institution, but it was fraud committed by a BBC-linked television figure, which is why it is often included in wider discussions of BBC-associated scandal.
Another important category is fraud and scam activity carried out against the public by people falsely using the BBC or TV Licensing identity. TV Licensing continues to warn customers about phishing emails, scam texts, and fake payment requests designed to steal financial details. These are not internal BBC frauds, but they are highly relevant to any article on scam activity connected to the BBC name because the BBC brand and the licence-fee system are being used as the lure.
The BBC also suffers substantial loss through licence-fee evasion, although that should be described carefully. Evasion is not the same as a coordinated scam against the public, and it is not the same as internal BBC fraud. Still, it is a major financial problem in the BBC ecosystem. The National Audit Office reported that estimated licence-fee evasion rose to 12.52 percent in 2024–25, while parliamentary scrutiny stated that potential lost income tied to evasion and non-paying households exceeded £1.1 billion.
The strongest documented BBC-related fraud and scam material falls into three buckets: proven audience deception in the phone-in and competition scandals, personal fraud by certain BBC-linked individuals, and external scam activity exploiting the TV Licensing brand. By contrast, broader claims that the BBC itself is institutionally fraudulent should only be made where there is specific evidence for a particular incident, because the public record distinguishes sharply between regulatory breaches, criminal fraud, scam impersonation, and licence-fee evasion.
The BBC seems to be a target, an opportunity, a weak point and a harbinger of fraud. Or if you will, an ATA. An access point to abuse people, funding, the public and IP, and sometimes, seemingly, with impunity and cover-ups.
The BBC and The RECO Enterprise.
The BBC is not just named in the RECO as an access point to defraud the public purse. The BBC owned at least 10% of Curtis Brown Group, thus profited from all of the derivatives of my work, as well as costing the public billions and loss of the UK’s oldest literary agency.
Of the sub-cases listed in the RECO, BBC is linked to Sub-Case G, Bodkin (2024), through BBC Studios’ involvement in distribution/sales.
A relevant point of comparison arises from my own prior submissions concerning The Fateless Child, first disclosed to Jonny Geller on 7 November 2022, with further expanded materials, previews, and attachments circulated through 2023 and into 2024, including documented correspondence dated 31 January 2024 and August 2024. In those materials, I described a post-crisis world in which a hidden non-human population emerges publicly, triggering global instability, political negotiation, and the threat of catastrophic escalation. Central to the narrative is a non-human or hybridised figure tied to wider mythological and existential stakes, alongside a broader framework of species coexistence, rights, and conflict.
When set against the 2025 Doctor Who spin-off The War Between the Land and the Sea, the structural alignment becomes notable. The newer series expands upon the 1972 The Sea Devils serial by scaling a contained naval conflict into a global crisis in which an ancient aquatic species emerges, demands recognition, and precipitates geopolitical and military tension. While the underlying intellectual property clearly originates from the earlier Doctor Who canon, the modern iteration reflects a shift toward contemporary themes of public emergence, species rights, and civilisation-level confrontation, elements which were not developed at that scale in the original 1972 work.
This pattern raises a broader concern. It reflects a recurring model in which legacy intellectual property, in which established industry entities retain stakes ranging from minority ownership through to full rights control and talent representation, is revived and modernised through the apparent integration of more contemporary narrative frameworks. In this context, I note that my own materials, containing timely and thematically aligned concepts, were submitted well in advance of these developments, including additional supporting content and expanded narrative material shared during 2024.
Further compounding this concern is the appearance of a similarly themed standalone novel released in or around 2026, outside of major publishing channels. While this may be entirely coincidental, the timing and thematic overlap raise questions as to whether such releases function, intentionally or otherwise, as a form of narrative diffusion or plausible deniability, particularly in circumstances where prior notice of potential intellectual property concerns had already been communicated with Curtis Brown Group.
Taken together, the chronology is difficult to ignore. Submissions and pre-litigation notices concerning potential misuse of intellectual property were issued during 2024. Subsequent developments include the emergence of materially aligned themes within revived legacy franchises and parallel literary releases. While no single element establishes wrongdoing in isolation, the cumulative pattern warrants careful monitoring and evidentiary preservation. At minimum, it raises the possibility of an orchestrated environment in which original material is absorbed, reframed within existing intellectual property structures, and subsequently distanced from its source through layered development and parallel publication pathways.
Wider Concerns
These industries, including all creative, entertainment, talent, modelling and gaming markets, have long been hotbeds of sexual abuse, IP abuse, data harvesting, tax evasion, money laundering, people trafficking, stealing, assets redirection, market manipulation, and social, cultural, economic and neurocognitive warfare.
The Epstein and Harvey Weinstein cases and Civil Rights Movements have made some small impact. And that at least is better than none. Yet we have a long way to go before these industries reach a state of safety and stability. Eradicating the Good Oldboy gatekeeper system of “Access” is the single biggest move we can make to clean up these creative markets. For far too long, this gatekeeper controlled system has oppressed and suppressed writers, alternative voices and thinking, disadvantaged people and everyone who has an original idea which they can not claim, violate, steal or control.
This is why, when high concept and new ideas, tones, styles and voices, with something to say, like that of M.W. Wolf’s Megaverse of Fiction, come along, the sticky-fingered vultures are all over it, raping it to pieces and dividing it into endless revenue streams for their buddy-buddy contacts at Netflix, Penguin Random House, Riot Games, Tencent, Marvel, Disney, 20th century, Hulu, Sky, the BBC and others.
This system is the very same system of “Access” that allowed demons such as Jeffrey Epstein, Harvey Weinstein, Jean-Luc Brunel, Jimmy Savile and Jonny Geller to flourish and abuse for many decades with impunity.
You can read more at- Access is Currency in the Self-Cannibalizing Web of RICO Activity https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/access-is-currency-in-the-self-cannibalizing-web-of-rico-activity
The Devil Wears Prada 2
The Devil Wears Prada 2 is another of the utterly sinful movies plagued with Epstein beggars and absolute scumbags. The movie needs to be boycotted. Read this- https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/should-the-devil-wears-prada-2-be-boycotted
I really cannot believe the cheek of them, bringing this movie out now, right in the middle of the exposure. It’s like a big “fuck you” to all the victims of the Epstein circles of filth.
The Devil Wears Prada has nothing to do with my RECO case. But the premise of a young woman having to bend over backwards to make it, or to gain “Access” in the creative industries seems to parallel what was happening behind closed doors and in private screenings and dinners and after parties inside Epstein circles, which included Felicity Blunt, Emily Blunt and Stanley Tucci (The Double Blunt- Tucci Triangle of self-self-self-glorification). These three seemed to hop onto the Epstein train at the filth parties for The Devil Wears Prada in 2006. Peggy Siegal, under Epstein’s control and perhaps money, organised many of the parties for promotions and after events of this movie. Also, Meryl Streep headlined events were frequently attended by Jeffrey Epstein, with invites via Peggy Siegal. The links to Epstein and this movie, and the involvement of many people with Jewish Ashkenazic surnames is substantial, if not excessive.
Moreover, The Devil Wears Prada is based on Jewish writer Lauren Weisberger’s 2003 novel of the same name. Weisberger is a Jewish Ashkenazic surname. The story is based on her time as a personal assistant for American Vogue editor Anna Wintour. In the movie, she is played by Anne Hathaway who has a Jewish husband, Adam Shulman. Shulman is an Ashkenazi Jewish surname. Anne Hathaway has loose links to Epstein, 20th Century Fox and Peggy Siegal.
The Devil Wears Prada director David Frankel is Jewish, he has an Ashkenazi Jewish surname. Producer Wendy Finerman is Jewish. Finerman is an Ashkenazi Jewish name. Jewish Aline Brosh McKenna wrote the screenplay.
The other links to Ashkenazi Judaism and Epstein go on and on. Waggingtail Entertainment Ltd is involved with both Epstein and this movie. Waggingtail is owned by Bryan Bantry, who is alleged to have sent models to filth parties to be drugged and used. Waggingtail paid Siegal monthly. Waggingtail took commission from Siegal revenue. Bryan Bantry corresponded directly with Epstein on this business structure.
It goes on and on- Barry Josephson (primarily an Ashkenazi Jewish patronymic surname), Michael Bederman (Ashkenazi Jewish surname),
20th Century Studios is heavily involved, being mention in a number of sub-cases of my RECO claim. These include The Creator (2023). In additional titles under review for the RECO case, is A Thousand Blows. This was Commissioned by Disney+. 20th Television. 20th Century Studios: INDIRECT / CORPORATE. 20th Century Studios has a proven history of working with Peggy Siegal and The Double Blunt- Tucci Triangle, indirectly connected to Epstein. The New Buffy show is also under monitoring because of the web of connections it has to 20th Century and The Double Blunt- Tucci Triangle. 20th Century Fox was co-founded by William Fox (born Wilhelm Fuchs), a Hungarian-born Jewish immigrant who was instrumental in establishing the Hollywood studio system. Stacey Snider (Ashkenazi Jewish name) is an American executive and former CEO of 20th Century Studios during the time some of the abuse was taking place.
I mean, seriously, go read my blog, and yet, it don’t cover half of it. https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/should-the-devil-wears-prada-2-be-boycotted
The best take from it is: “The Devil Wears Prada feels like a disguised exposé, or even a taunt by those very same elite gatekeeping systems which steal innocence, beauty, wealth, talent, work, flesh, writing, projects, awards, and even industries.”
The RECO ties to Ashkenazi Judaism, Epstein and wider geopolitical happenings go much deeper and much darker.
Conclusion of Part 1- Tangled Degradation
It should be noted, risk management companies, auditing companies, intelligence organisations, Tencent, US courts, lawyers and some interesting IP backbones are monitoring my content daily. These include Tencent all day every day, OSINT, pricewaterhousecoopers, TorchStone Global and others. One of them will strike at me sooner or later as I’m treading on things they want to keep behind filthy curtains.
I’m doing well, I have a lot to look forward to, I’m merely seeking justice and a safer and more protected creative industry for writers and talent and will not stop until I gain it.
So what can we safely deduce from this tangled degradation?
It is safe to say, without prejudice, or blame on a people, race or religious belief:
1. That powerful people in the creative industries are engaged in all manner of depravity with both IP and flesh.
2. Epstein, UTA’s CEO Jeremy Zimmer and Jonny Geller were, and the last two still are, engaged in some kind of conspiracy, together or apart, which seems to be actively desperate, even fiendish, to redirect wealth and markets to the hands of a few. Riot has engaged in the same by redirecting US gaming, IP and data to China.
3. People, talent, writers, CEO’s, directors and others in these industries with Ashkenazi Jewish surnames and/ or backgrounds are being selected, either willingly or without their knowledge, to build the wider IP pipeline of abuse in this RECO case and in wider concerns. Before you claim I’m racist or a bigot or antisemitic, please wait to read Part 2. Perhaps this is because Hollywood was built by Jews and is highly populated by them, or perhaps this is because Jonny Geller feels protected abusing within these circles, or perhaps it’s because of the greenbeard hypothesis. Part 2 will cover this.
4. Penguin Random House and The BBC have been dragged into a RECO case because of the crimes of Jonny Geller, Felicity Blunt and UTA’s Jeremy Zimmer, who sit at the head of this RECO enterprise.
5. The Double Blunt- Tucci Triangle of self-self-self-glorification is an utterly revolting and revolving human centipede which reeks of the black mucky seeds of Jeffery Epstein.
6. Epstein’s filthy paws are all over The Devil Wears Prada, which is now streaming on Hulu (puke) and The Devil Wears Prada 2 should be boycotted by anyone who has a twinkle of goodness in their hearts.
7. Curtis Brown Group, United Talent Agency, Netflix, Penguin Random House, Riot Games, Tencent, Marvel, Disney, 20th century, Hulu, Sky, the BBC and others are named in the enterprise of a transatlantic RECO case which goes far deeper than it may seem and is linked to geopolitical concerns and international security.
8. Jonny Geller is an absolutely disgusting, IP abusing creature, so says I
9. Stanley Tucci was modelled off Mr. Potato Head, and that’s infringement.
10. Shits gonna hit the fan.
These creatures in the publishing, talent and wider Entertainment circles do not care if they get caught because they have fraudulently made unspeakable amounts of money, are protected in secret circles which they lean on to bring harassing litigations to silence their victims, before retiring with stolen fortunes and broken dreams.
Not on my watch, I’ll get justice, even if I must chew out a pound of flesh from a 90 year old retired agent in hiding.
Stay away from Curtis Brown Group, if you have any connection to them, run a fucking mile, then keep running.
I will see justice, I 100% guarantee it.
If my content disappears, my justice is served.
Come back for Part 2 before you call me names. I’m the fucking victim, there are others. If you have been named in this article, or in any of my other articles
M.W. Wolf Ltd.
