Monitoring Assessment- New Buffy
PENDING REVIEW REPORT
Monitoring Assessment – The Fateless Child and 2026 Buffy the Vampire Slayer: New Sunnydale Development and The Double Blunt- Tucci Triangle.
Monitoring Notice
Due to ongoing concerns regarding the potential misuse and unauthorised development of works from the M.W. Wolf catalogue of fiction, I am formally documenting and monitoring all emerging projects, adaptations, and derivative works that may overlap with my original literary properties.
These concerns relate to prior professional submissions and interactions within the literary and entertainment industries. Where substantial similarities, structural parallels, or developmental overlaps are identified, such matters will be preserved for evidentiary review.
I am currently preparing filings in connection with a pending RICO-related claim in Los Angeles, and any associated proceedings that may follow within the United States judicial system.
Accordingly, all relevant parties are on notice to preserve documentation, correspondence, development materials, audit trails, and internal communications relating to:
The M.W. Wolf catalogue of works
Any submissions made under my legal name
Any related development discussions, internal coverage notes, or project evaluations
Any projects bearing material similarity in theme, structure, character systems, or narrative architecture
This notice is issued for record preservation and transparency purposes. I do not assert any wrongdoing, nor that Chloé Zhao had any knowledge of any wrongdoing.
I’ve been exposed to the dark side of the literary and entertainment industry. It’s a sad and disturbing situation. Due to the pervasive misuse of the M.W. Wolf catalogue of Fiction, alleged to be orchestrated by Jonny Geller and Felicity Blunt at Curtis Brown Group, I find it necessary to report and monitor all developing threats and possible infringements.
Author: M.W. Wolf
Date: 23 Feb 2026
Status: Monitoring – No Allegation, No Conclusion
Purpose of Report
This report documents the development of a new Buffy the Vampire Slayer sequel series (2026) and sets out the rationale for monitoring the project in relation to my previously disclosed literary work, The Fateless Child.
This document does not yet assert infringement or misconduct.
It records timeline, thematic overlap considerations, and reasons for ongoing review.
Monitoring, assessing and reporting is necessary because of the rampant and shameful “alleged” stealing of the M.W Wolf catalogue of Fiction by Jonny Geller and Felicity Blunt at Curtis Brown Group which is central to a pending RECO claim and other litigations.
I alleged that these IP rapists at CBG are so prolific that ever single book, TV show, Movies or anything at all coming out of, or in anyway connected to CBG needs to be criminally investigated. We are seeing the threads of IP abuse untangle as Jonny Geller of CBG and Jeremy Zimmer of United Talent Agency have ramped up the systemic theft and redirection of wealth ready for retirement… I allege.
Timeline of Disclosure – The Fateless Child
7 November 2022
I informed Jonny Geller via email of a new book in development titled The Fateless Child. The concept was included in an attachment and described as follows (excerpted summary):
“The Fateless Child is a Blade meets The Fifth Element action-packed vampire dark fantasy novel.
Set in New Orleans, 2044, after global nuclear war and famine.
In 2025, over one thousand convents of vampires emerge publicly.
Grand Magus Dervish advocates coexistence and threatens use of a mythic-scale weapon linked to Brahmastra mythology.
After his assassination during a peace tour, vampire riots erupt worldwide.
Adam Johnson, a vigilante bounty hunter known as ‘Bringer,’ rescues a white-haired mute girl who appears neither human nor vampire.
Vampire authorities, gangs, and political figures pursue her as Bringer attempts to uncover her identity and protect her.”
This is just a snippet of the content Jonny received. Subsequent follow-up correspondence, emails, PowerPoints and samples provided additional development detail and expansion of mythology and character arcs.
Documentation of these communications is retained. However, I have suffered digital intrusion and hacking focused on deleting evidence sent to Jonny Geller, of which is backed up and retained in several places. I alleged I may also have suffered smear campaigns of editing footage, as well as spoliation of evidence and failure to provide SARs pertaining to attachments, emails, conversations, board meetings, slack messages and auditing.
Overview of 2026 Buffy the Vampire Slayer Development
A sequel series to Buffy the Vampire Slayer is currently in development for Hulu, produced in association with 20th Television and others.
Key publicly reported elements include:
Continuation approximately 25 years after the original series
Sarah Michelle Gellar reprising her role as Buffy and serving as executive producer
A new young Slayer character (reported as Ryan Kiera Armstrong in lead role)
Creative involvement from Chloé Zhao
Description as a legacy sequel rather than reboot
The IMDb states,
“Pilot
Season 1, Episode 1
Nova, a 16-year-old bookworm, discovers she's a vampire Slayer in a rebuilt Sunnydale. During Vampire Weekend, a festival celebrating the town's dark past, vampires Jack and Shirley plan a ritual to raise a vampire army.”
Basis for Monitoring
The reason for monitoring is not general genre similarity, but a pattern of connections, timings and access as well as the following thematic and structural parallels that warrant observation:
A. Central Young Female Figure
The Fateless Child features:
A mysterious, white-haired girl with the power of a Nova
Non-human ambiguity
Rasing armies of vampires to harvest blood.
Central narrative focus
Potential mythic or world-altering significance
Amphibious vampires
Fatepires
Runs the gambit on new breeds of Vampires, of which several have been shared with Jonny Geller of CBG.
Isolated location restructured and cut off from the outer world.
The new Buffy series features:
A newly introduced young female Slayer called Nova.
· A new angle allegedly pitched to Sarah Michelle Gellar by Chloé Zhao
A continuation of legacy power mythology
A new town rebuilt.
While “young female supernatural lead” is a genre convention, the introduction of a new central girl figure in a vampire-based continuation invites monitoring for deeper structural overlap once scripts are available. The lead character, Nova, sounds a lot like The Fateless Child, in The Fateless Child.
B. Apocalyptic / World-Shift Framework
The Fateless Child:
Post-nuclear geopolitical collapse
Vampires publicly revealed
Political rights movement
Assassinated vampire leader triggering unrest
Vampire civil rights and even political figures.
If the new Buffy series incorporates:
Global political restructuring of supernatural beings
Public vampire rights frameworks
Mythic-scale weapons tied to ancient cosmology
Assassination-driven supernatural unrest
These would move beyond generic overlap and warrant structured comparison.
Please note, the new Buffy is just in the pilot stage so they may change things up. I did this for season 2 of Arcane and got around 90% of like 48 things correct as it is most definitely derived from Bloodborg.
C. Naming Observation – “Nova”
Public reporting references a new young character. The term “Nova” refers to:
A star showing a sudden large increase in brightness before returning to a prior state or explosion / burn out.
While this is a common astronomical term, it symbolically parallels themes of sudden emergence, radiance, and transformation central, supernatural power and brilliant brightness to The Fateless Child.
This observation alone does not indicate derivation. It is included as contextual symbolism to monitor.
Reasons to worry.
· A U.S. Racketeer Influenced and Corrupt Organizations Act (RICO), case is currently being built for the alleged systematic misuse of the M.W. Wolf catalogue of fiction, defrauding stakeholders in a Pump-and-dump like system during company sales and mergers and litigation abuse whilst trying to evade lawful processes. Jonny Geller and Felicity Blunt of Curtis Brown Group are at the head of the alleged illegal enterprise. It is alleged that between 2018 and 2024 both Jonny Geller and Felicity Blunt received submissions, material, updates, plans and content from M.W. Wolf and systematically miss sold this intellectual property to build derivatives, to feed into failing shows, to gain the greenlighting of shows, to bolster assets during mergers and sales, to gain quid pro quo deals and to gain relationships, to profit from commissioned work and to build the Cvs of their represented talent by gaining them a place in shark tank writers rooms where material from the “Slush Pile” included those belonging to M.W. Wolf, was misused.
· It is alleged that these alleged manipulatives, cheating, and deceiving and criminal ways are extremely familiar to the Modus Operandi (M.O.) of Jeffery Epstein and his co-conspirators. It is further alleged that the head co-conspirator of the RECO case can be placed in the presence of Jeffery Epstein on a number of occasions, having dinner with him multiple times and it can be shown that her husband Standly Tucci directly requested Epstein’s attendance at intimate screenings and private after parties.
· Sarah Michelle Gellar is Buffy. I was a fan of the show 20 sum years ago. I can not claim to have watched the show avidly, but I did like the show, and I am a fan of Sarah Michelle Gellar’s portrayal. By Sarah Michelle Gellar’s own admissions, for 25 years many reboots and ideas were pitched but none were worthy, until now.
· The timing is telling and follows a well evidenced correlation. This occurs in the period after I wrote The Fateless Child and sent a lot of material to Jonny Geller of CBG / UTA and Sarah just happens to be represented by both, inside the wider conglomerate. This matches a very clear pattern of CBG/ UTA derivatives of movies, shows and books failing to get off the ground until my work was sent to Felicity Blunt and Jonny Geller. Then they get the greenlit and the central premises and hooks are prevented into older or failed shows, such as Arcane, The Creator, Breaking the Dark: A Jessica Jones Marvel Crime Novel and others.
· In certain sectors of the entertainment industry, it has been alleged in past litigation that informal quid-pro-quo arrangements can occur in connection with representation, financing, or development deals. In some cases, such arrangements may have the effect of obscuring clear audit trails or complicating financial transparency. Where patterns of cross-representation, financing relationships, or internal gatekeeping structures exist, questions may arise as to whether such systems unintentionally or deliberately reduce accountability. These structural concerns are relevant to any review of potential financial irregularities, development chain opacity, or coordinated conduct under statutes such as the U.S. Racketeer Influenced and Corrupt Organizations Act (RICO), should evidentiary thresholds be met. At present, these observations are framed as matters requiring further evidentiary assessment rather than conclusions.
· Sarah Michelle Gellar is publicly represented by Markham Froggatt & Irwin who are owned by CBG and Sarah Michelle Gellar has been associated with Curtis Brown Group. No family relationships are asserted to Jonny Geller of CGB nor Josh Geller of the Riot Games legal team who is also implemented within the alleged enterprise via litigation abuse.
· Sarah Michelle Gellar is publicly represented by Garrett Smith of United Talent Agency who are the parent company of CBG since 2022 and this timeline correlates perfectly with when United Talent Agency related projects are alleged to have begun infringing on M.W. Wolf’s intellectual property.
· The show is in the Pilot stage. On IMDb the only other names attached to the show thus far are Creators Lilla Zuckerman (developed by) and Nora Zuckerman (developed by). Lilla Zuckerman is represented by United Talent Agency. Nora Zuckerman is represented by United Talent Agency.
· 20th Century are the Production Company. 20th Century has been one of the go-to studios for several of the Sub-Cases of my Pending RECO claim. These include The Creator (2023).
· In additional titles under review for the RECO case, is A Thousand Blows. This was Commissioned by Disney+. 20th Television. 20th Century Studios: INDIRECT / CORPORATE.
· 20th Century Studios has a proven history of working with Peggy Siegal and The Double Blunt- Tucci Triangle, indirectly connected to Epstein.
· Felicity Blunt has a timely relationship with Hulu who are set to distribute the new Buffy.
Peggy Siegal & Epstein.
Peggy Siegal has stated that she met Jeffrey Epstein in 2005.
According to her accounts and investigative reports, Siegal believes they met sometime in 2005 and became "social friends" because Epstein was a film buff who wanted to attend her high-profile screenings. Following Epstein's release from jail in 2009, Siegal played a key role in helping him re-enter elite social circles in New York. In 2010, she famously organised a dinner at Epstein's Manhattan townhouse for Prince Andrew. Over the years, their relationship involved numerous social invitations, screenings, and even financial transactions, such as Epstein paying for a $15,000 ticket for Siegal to attend an Oscars party in 2013. Siegal's business collapsed in 2019 after her extensive ties to Epstein were detailed in a New York Times report, leading major clients like Netflix and Disney to sever ties.
Double Blunt- Tucci Triangle
Felicity Blunt is a CBG Agent (RECO- Jonny Geller’s partner in crime). Blunt & Geller are alleged to have missold almost every product I shared with them, some cut up and misused many times over, for profit and quid pro quo deals for talent representation, shark tank writing rooms and building CVs.
Felicity Blunt, her husband Stanley Tucci and her sister Emily Blunt have had a relationship with, and has pitched projects to, 20th Century Studios since Stanley starred in: A Life Less Ordinary (1997). This relationship has been propagated by Peggy Siegal for a long time, perhaps sponsored by Epstein, yet this is still under investigation. The Emily Blunt, Felicity Blunt and Tucci relationship with both 20th Century Studios and Peggy Siegal seems to be deeply entwined at least since The Devil Wears Prada in 2006, where Peggy Siegal organised screenings, intimate parties and after parties. Epstein, Waggingtail Entertainment and Bryan Bantry may have been involved with the financing and profiting of these events.
Two snippets of evidence of the conspiracy circle:
“Patrick McMullan Archives
SOUTHAMPTON, NY - JUNE 24: (L-R) Sessa von Richthofen, Peggy Siegal and Richard Johnson attend Special Screening of 20th Century Fox's "The Devil Wears Prada" at Southampton Theater on June 24, 2006 in Southampton, NY. (Photo by Neil Rasmus/Patrick McMullan via Getty Images)”
“Patrick McMullan Archives
NEW YORK CITY, NY - MAY 23: (L-R) Marisa Noel Brown, Patty Neuberger, Peggy Siegal and Jane Rosenthal attend Twentieth Century Fox presents THE DEVIL WEARS PRADA Dinner and Private Auction hosted by the St. Regis Hotel with Meryl Streep at St. Regis Hotel on May 23, 2006 in New York City. (Photo by Patrick McMullan/Patrick McMullan via Getty Images)”
Emily Blunt and Peggy Siegal
Emily Blunt and Peggy Siegal have a professional relationship, with Siegal frequently hosting high-profile, exclusive promotional events and screenings for Blunt's films. Peggy Siegal, a prominent New York-based publicist with deep ties to the Epstein files and who is alleged to have paid for many of these luncheon, parties and after parties to infiltrate celebrities, studios, financial markets and professionals, has hosted various events for Emily Blunt's movies. This includes a party for The Five-Year Engagement (2012) and luncheons for Sicario (2015). Siegal, known for organizing, intimate, high-profile screenings, also hosted a screening of Into the Woods in 2014, where she interviewed Blunt. Guess who sponsored it?
In fact, since The Devil Wears Prada in 2006 Peggy Siegal, and perhaps Epstein indirectly via funding and planning, has been involved with these events for a least 11 of the Movies Blunt starred in up until Peggy Siegal’s links to Epstein were exposed in 2019. Some of these events were placed on directly for Blunt. There is a strong correlation between Blunt being nominated or winning awards and Peggy Siegal’s involvement / sponsoring of the screens, parties and dinners. And she was embedded deeply into the Double Blunt- Tucci Triangle.
Emily Blunt and Waggingtail
The Young Victoria (2009) is in the Epstein files many times. Sarah Margaret Ferguson, formerly Sarah, Duchess of York, and commonly known by the nickname Fergie, was a producer and deal maker for this movie in which Emily Blunt played the lead role. The Duchess of York sent moaning emails to Epstein about getting paid for this product which seemed to be sponsored by him and Peggy Siegal. CBG were also in some of these emails for book references to chase up. Epstein and Siegal sponsored the after parties.
Waggingtail were the core production entity of The Young Victoria movie and were heavily involved with payments to Peggy Siegal and indirectly Epstein was involved. Waggingtail were also involved in The Wolfman for the corporate overlap period. And Salmon Fishing in the Yemen. All of which starred Emily Blunt.
Waggingtail, A UK entity, is heavily featured in the Epstein files, working alongside Peggy Siegal with monthly invoices being passed around between entities for many years. Waggingtail’s Director is Bryan Bantry of Bryan Bantry Agency (BBA) in New York. The agency appears to be operating, representing various artists in the fashion and beauty industry. While the broader, well-known issues of sexual harassment, sexual abuse, rape, trafficking and lack of regulation in the modelling/fashion industry, the Bryan Bantry Agency is not named as a defendant or party in those specific, high-profile allegations. Bryan Bantry is named in the Epstein files in 98 results. Peggy Siegal is named in the Epstein files in 7,388 results. Bryan Bantry invoiced Peggy Siegal monthly for many years.
Ex-model Heather Braden, recently exposed on the Shaun Attwood YouTube channel, episode, “Model Exposes Elites! Prince Andrew Epstein Brunel Network - Heather Braden - Podcast 809” https://www.youtube.com/watch?v=SP7NFUafrGU That the New York agencies were paid by the promoters to send girls, some disgustingly under aged, to screenings and parties. At these dinners, screenings and parties, some of the child models and older girls would be paid for sex by older men. Others would be drugged and raped. She stated that other agencies and Epstein attended these events. This was seen as networking and was expected of the girls. Heather Braden states that she was 14 & 15 years old, and these older powerful men in the industry who attended these dinners and events were called “Model Fuckers.”
Heather Braden stated that every agency did this. She states that she was at, at least 10 different agencies. She states that Epstein and Jean-Luc Brunel raped and pimped out girls and transported them around the world, which is sex trafficking of minors. Heather also explains that her agency tried to pimp her out to Harvey Weinstein who had planned to rape her under the guise of having a lead role in a movie for her. She also states that there was a talent cross over into TV and movies and Jean-Luc Brunel built a few careers in movies. She also states that in the 90s, a lot of these agencies (In the Epstein Brunel Network) who were basically trafficking minors to attend screenings, dinners and parties to be sexually abused, began to branch out to represent other entertainment and talent industries, like acting representation, producing movies and stuff like that.
It should be noted that, Jean-Luc Brunel is credited with discovering or launching the careers of several high-profile models, including Christy Turlington, Sharon Stone, Milla Jovovich, Monica Bellucci, Rebecca Romijn, and Jerry Hall.
It should also be noted that, Bryan Bantry Agency does represent models and creatives in the fashion and entertainment fields. In 1997 Bryan Bantry did cross over from modelling and stuff into Waggingtail in the UK, which is a film production entity with ties to Epstein, and which invoiced Peggy Siegal monthly for years. Peggy Siegal is a prominent New York-based publicist who organized parties, screenings, dinners, movie premieres and events for Epstein, 20th Century Studios and many for the Double Blunt- Tucci Triangle.
I do not assert that Bryan Bantry Agency was definitely one of these agencies involved in trafficking minors, nor that Peggy Siegal paid agencies to provide underaged girls to screenings and parties then got paid by Epstein and others. I do not have a “smoking gun” to state that this happened.
I do encourage readers to check out the linked Podcast episode in which Heather Braden bravely recounts her stories on the Shaun Attwood channel.
Emily Blunt, Epstein and the Infiltration of 20th Century Studios
Furthermore, at least 4 of the movies Emily Blunt has starred in were 20th Century movies. Epstein had deep ties inside 20th Century Studios.
In file EFTA01938249, Damien Golla, Chef de projet of 20th Century Fox invited Epstein to a Paris red-carpet premiere hosted by 20th Century Fox on the Champs-Élysées in February 2014. Damien Golla began his career in the film industry at Pathé Films as part of the marketing team from 2004 to 2010, and then at Twentieth Century Fox as senior marketing manager from 2010 to 2016. Epstein attended and Peggy Siegal organised after parties.
Barry Josephson is an accomplished American film and television producer who has maintained a long-standing professional relationship with 20th Century Fox (now 20th Century Studios/20th Century Fox Television) through his production company, Josephson Entertainment. His company was pitched for investment and access to Epstein in 2014- EFTA00596079. In the pitch it states Josephson Entertainment's other box office production successes include:
- Hide and Seek starring Robert De Niro from 20th Century Fox
- Like Mike from 20th Century Fox
- Currently in pre-production on feature film projects, 20th Century Fox & Lightstorm Entertainment's The Dive, Voltage's Apex and Focus's Circle of Treason.
Barry Josephson is mentioned in the Epstein files in 1,499 Results. In January and February 2024, unsealed court documents revealed deep ties between Barry Josephson, executive producer of the TV series Bones, and convicted sex offender Jeffrey Epstein. Josephson admitted to accepting multiple personal loans from Epstein during their years-long friendship. In a 2011 email, Epstein asked Josephson for recommendations for "amazing women" in their early 20s to work as assistants. Josephson responded by describing a candidate as "young, attractive, insane rack" and noted she was "tight lipped period end of story". Epstein visited the sets of Josephson’s productions at least twice, and Josephson reportedly arranged set visits for young women in Epstein's circle. In a statement to Variety, Josephson called his language "crude and juvenile" and expressed shame. He denied ever visiting Epstein's private island or traveling on his plane, stating his biggest regret was believing Epstein's denials of wrongdoing. Following the release of these documents, Josephson's wife, singer-actress Brooke Josephson, announced she was divorcing him, stating she was unaware of the extent of his relationship with Epstein during their marriage.
In the June 7, 2015, email from Barry Josephson to Jeffrey Epstein, the sender references an ongoing “second audit” and the possibility of litigation to obtain a “proper share,” adding that such disputes were becoming “common place now with Warners, Disney and especially 20th Century Fox.”
EFTA02375915- especially 20th C…
This phrasing is noteworthy for several reasons. First, it confirms that Josephson and perhaps by extension Epstein were engaged in profit-participation audit discussions involving major studios. The reference to 20th Century Fox alongside Warner Bros. and Disney situates Fox within a broader pattern of industry accounting disputes, rather than isolating it as a unique actor.
Second, the specific emphasis on “especially 20th Century Fox” suggests that, in the sender’s personal view, Fox may have been more frequently associated with backend participation disagreements or contentious profit accounting practices at that time. Such disputes are not uncommon in the entertainment industry and typically arise from contractual interpretation of distribution fees, overhead allocations, or cross-collateralization practices.
Historically, 20th Century Fox, like other major studios, faced several high-profile civil lawsuits in the 2000s and 2010s relating to profit participation and accounting transparency. These matters were generally resolved through civil litigation or settlement and form part of the well-documented phenomenon often described as “Hollywood accounting.”
Importantly, this email does not, in itself, establish misconduct, criminality, or an improper relationship between the parties referenced. It does, however, demonstrate that Josephson was discussing audit and litigation issues concerning major studios, “especially 20th Century Fox,” directly with Epstein, indicating at minimum a communicative relationship in which financial and studio-related matters were being shared.
As such, the document may be relevant in mapping professional proximity between 20th Century Fox, Josephson, Epstein and Blunt.
Document EFTA02017815 shows that on 29 March 2012, Barry Josephson forwarded to Jeffrey Epstein a Fox press release announcing the renewal of Bones for an eighth season. The attached release confirms that the series was produced by Josephson Entertainment “in association with 20th Century Fox Television.”
This establishes a formal production relationship between Josephson and 20th Century Fox Television, and it also demonstrates that Josephson was sharing studio-related developments directly with Epstein. However, while the document evidence communication between Josephson and Epstein and a contractual relationship between Josephson and the studio, it does not, in itself, demonstrate any direct contractual or financial relationship between Epstein and 20th Century Fox Television. It may show indirect influence, manipulation and control.
Taken together, the documented relationships between Emily Blunt, Peggy Siegal, Waggingtail Entertainment, Barry Josephson, Epstein and 20th Century Fox establish a pattern of recurring professional proximity within overlapping studio, publicity, and production environments. While no direct contractual relationship between Epstein and 20th Century Fox has been demonstrated in the cited materials, the documentary record confirms that individuals operating within Blunt-related projects were simultaneously engaged in communications with Epstein and were active within the 20th Century production and promotional ecosystem. The relevance of this network lies not in asserting wrongdoing, but in mapping the structural intersections between representation, studio development, and individuals later implicated in separate legal proceedings. This contextual framework is necessary when assessing development chains and institutional proximity in related projects. Given these findings, which are evidenced facts, coupled with the relationships, and The Double Blunt- Tucci Triangle, and the 20th Century Fox released Sub-Cases already mentioned in the Pending RECO, projects developed by 20th Century Fox are already highly risky, without the timing of Buffy, and the agency ties and the already notable similarities between the new show and M.W. Wolf’s The Fateless Child.
Felicity Blunt
The second Blunt in The Double Blunt- Tucci Triangle raises more contextual evidence, deeper ties and more threads leading to 20th Century Fox. Felicity Blunt is a senior literary agent at Curtis Brown Group. She is alleged to be Jonny Geller’s partner in crime at the head of the RECO network.
M.W. Wolf’s The AI Child, plan was shared with Felicity Blunt in 2020 but again on Wed, 9 Jun 2021 at 03:38.
The Creator (2023 film by Gareth Edwards, distributed by 20th Century Studios) is alleged to have been created using the two plans (A synopsis and a mini- synopsis) sent to Blunt. Gareth Edwards is represented by Curtis Brown Group with the point of contact being Amanda Davis. This establishes a direct contractual and production relationship between CBG, Edwards and 20th Century Studios, and I alleged Felicity Blunt.
Felicity Blunt and Jonny Geller, through the CBG/ UTA pipeline is alleged to have been involved in the illegal derivations of the M.W. Wolf Catalogue of Fiction to feed into Sub-Case A- The Irregulars – 2021, Sub-Case B- Arcane – 2021, Sub-Case C- The Kitchen – 2024, Sub-Case D- The Irregulars Ep.3 – 2021, Sub-Case E- The Creator – 2024, Sub-Case F- Atlas – 2024, Sub-Case G- Bodkin Ep.6 – 2024, Sub-Case H- Breaking the Dark – 2024, Sub-Case I- Sinners (TBD) – 2025, Sub-Case J- Fallout- 2024 and possibly others.
Felicity Blunt is alleged to have used the connections built off the dinners, screenings and selling of M.W. Wolf’s work, and off her husband’s connections to Peggy Siegal / Epstein, to have branched into film and TV production. Felicity Blunt now has an IMDb credit as an executive producer for Rivals (2024– ). It should be noted that not all people who misuse work to branch into other industries are abusers as well as thieves.
Rivals (2024– ). is a British television drama series adapted from the 1988 novel Rivals by Jilly Cooper. It forms part of Cooper’s Rutshire Chronicles. Jilly Cooper’s literary estate, representing her extensive portfolio of 18 novels, numerous non-fiction works, and the Rivals franchise, is managed by literary agent Felicity Blunt at Curtis Brown. Felicity Blunt has represented Jilly Cooper at Curtis Brown since at least the mid-to-late 2000s, following her own joining of the agency in 2005.
It stands to reason that Felicity Blunt would know Jilly Cooper’s work. But it also stands to reason that self-promotion to Hollywood, pushing her husband’s cooking books, producing Stanley Tucci: Searching for Italy (2021–2022) and a host of other “Hidden” IMDb credits hardly hints at a literary agent looking after her clients. It shows a dogged, perhaps fiendish need for self-self-self-glory. Its all for the Double Blunt- Tucci Triangle and none for the 90% of writers trying to gain literary agents who are alleged to have their heads up Peggy, begging for Epstein to attend parties and self-promoting like they are the talent.
If I were her boss I’d be having words. Like “Yo Blunt, you’re taking the P***”. But I’m not her boss, Jonny Geller is… and that explains a lot. He’s busy selling one of the Uk’s oldest literary agencies to United Telent Agency artificially pumped up on stolen assets, where they are then illegally sold as shares, still pumped up, to EQT… so It’s alleged.
The Distributor of Rivals (2024– ) is Hulu, which also just happens to be the distributor of Buffy the Vampire Slayer: New Sunnydale, which also happens to have been produced by production company 20th Television, and Sarah Michelle Gellar just also happens to be represented by CBG/ UTA and all this also happens to be happening after CBG had access to the plans of The Fateless Child. Yes, not 1 year after Buffy ended, not 2, that’s still too soon. Not for the 10 years anniversary, not for the 20 years anniversary, not even for the 25th anniversary which is being spat around. But 22 years, 9 months, 3 days, counting today. Buffy’s final episode aired on 20 May 2003. The reason Sarah Michelle Gellar has stated as to why now is that Chloé Zhao had a great idea, and it’s the 25th year anniversary.
And also, “I’m doing it for the fans.” Where have we heard that before? Oh yes, for Riot Games’s Arcane the fake showrunners Christian Linke and Alex Yee state the very same words about Arcane. Which was populated by CBG/ UNT talent, writers, producers and the like shortly after Jonny Geller and Blunt received my Manuscript of Bloodborg: The Harvest, which is alleged to have been misused to build Arcane and is now sat with The United States Court of Appeals for the Ninth Circuit after Riot Games’s Legal Team of Josh Geller and Arron Moss lied about timelines, evidence and more to have the case dismissed in the lower court, which is a criminal offence.
Oh boys. Oh what a tangled web we weave when we practice to deceive!
Felicity Blunt of Curtis Brown Group – Dinner Reference Post-Conviction
Felicity Blunt and her husband Stanley Tucci attended multiple events with Jeffrey Epstein in attendance after he was known to be a convicted Paedophile, and still on the prowl for victims.
EFTA02010533 of the Epstein files confirms that Felicity Blunt and her husband Stanley Tucci were included on the confirmed “yes list” for a December 9, 2012, London screening and dinner of Les Misérables. The same document lists Jeffrey Epstein as an attendee. The event occurred four years after Epstein’s 2008 conviction. It establishes proximity and a willingness to engage within formal circles with a powerful Convicted Paedophile. The timing, after his conviction, is part of the public record timeline.
EFTA01042536 – London Dinner “YES List” Including Felicity Blunt
In EFTA01042536, a document titled “LONDON DINNER YES LIST” records confirmed attendees for a London dinner event at which Jeffrey Epstein was present and perhaps had a controlling role in. This was an intimate event of only 26 confirmed attendees. The date of the email is Fri, 23 Jun 2017 and it was sent by Peggy Siegal. She was in London for the Elton John dinner for AIDS event. 2017 is long after Jeffrey Epstein was a known powerful Convicted Paedophile still on the prowl.
The list includes the following entry:
“2 - Mr. Stanley Tucci & Ms. Felicity Blunt”
This indicates that Felicity Blunt and her husband, actor Stanley Tucci, were marked as confirmed attendees (“YES”) for that event.
This establishes factually that Felicity Blunt and her husband Stanley Tucci were listed as confirmed attendees at an intimate London dinner event at which Jeffrey Epstein was present, long after he was known to be a convicted sexual predator of minors.
This shows that Felicity Blunt and her husband Stanley Tucci attended multiple events with Jeffrey Epstein in attendance after he was a convicted Paedophile.
The 2017 intimate dinner date was organised by Peggy Siegal, who was known to be the go-to person in Hollywood to gain an Oscar, which in itself shows that secret circles breed wickedness and deception. Hollywood publicist Peggy Siegal has faced significant professional and social fallout due to her long-term association with the late convicted sex offender Jeffrey Epstein. While she has not been accused of direct involvement in his crimes, she is alleged to have acted as a "social guarantor," helping Epstein reintegrate into elite circles after his 2008 conviction. Like those listed here. It has also been reported that Peggy Siegal offered to bring Jeffrey Epstein a baby from Africa.
Stanley Tucci, Peggy, and CBG
Stanley Tucci and renowned New York publicist Peggy Siegal have a long-standing professional and close relationship, with Siegal frequently hosting high-profile, exclusive screenings and events for Tucci’s films in New York City over the years. Their collaborations include events for The White Countess (2005), Margin Call (2011), and the Giacometti biopic Final Portrait (2018). Their relationship seem to bloom for Stanley, and indeed the Double Blunt- Tucci Triangle working on The Devil Wears Prada (2006). This was produced by 20th Century Fox. Peggy Siegal had, primary, a campaign role but was involved in screenings, parties and after parties.
A search of Stanley Tucci in the Epstein Files gives 31 Results. These consist of various post-conviction invites via email. One of which is an April 1, 2013, email from Peggy Siegal to Epstein titled, “THE COMPANY YOU KEEP.”
More concerning is this file- On Fri, 09 Mar 2018, in file EFTA00470494, Peggy Siegal is repeatedly following up and asking Epstein to attend a VIP screening of Final Portrait to “Celebrate” Stanley Tucci. She then invites Epstein to attend an after “party with Stanley and our co-host, Dominique Levy, at the prestigious Levy Gorvy Gallery on Madison Avenue and 73rd Street.” This shows that Stanley Tucci via Peggy Siegal is practically begging a convicted paedophile to attend Stanley’s party. Stanley Tucci also appears in other invites and in short, untitled lists of names in the Epstein files. The lists include Film directors, Actors, Writers, Cultural figures and Media executives.
Stanley Tucci is represented in the United Kingdom by the Curtis Brown Group. His primary contacts at the agency include:
· Felicity Blunt (Wife): Handles literary/books representation.
· Oriana Elia: Listed as a representative for acting/performance work.
· Jacquie Drewe: Represents him for unscripted projects, entertainment, and presenting (such as Searching for Italy).
· Jake Smith-Bosanquet: Also listed as a contact at the agency.
However, this is no longer on his IMDb profile. I have the CBG pages and Cvs.
Since starring in The Pelican Brief (1993) 20th Century Fox / Studios has been the studio distributors or producers of at least 10 of the movies he has starred in.
UTA in the Epstein Files
Jim Berkus
Jim Berkus is an American entertainment industry executive who is co-founder and chairman of United Talent Agency. Prior to forming UTA, Berkus was a partner at Leading Artists Agency. United Talent Agency was founded by Jeremy Zimmer, Peter Benedek, and Jim Berkus.
Jim Berkus, UTA, and the Oscar Weekend Diary
In EFTA00635349, Peggy Siegal describes an Oscar weekend gathering that “migrates to UTA Jim Berkus’s home” for a celebration connected to True Grit. The dispatch lists prominent attendees including Ron Howard, Mark Ruffalo, Tim Robbins, Nancy Meyers, and others. The tone is informal and observational, consistent with other society-style updates sent to Jeffrey Epstein. It almost feels like Peggy Siegal was diarizing events in a kind of social surveillance manner and sending them to Epstein to keep tabs on people.
One passage reads:
“Adorable Hallie Steinfeld is there with her parents. I am trying to fix her up with Justin Bieber. She giggles, ‘Peg, I am only 14.’”
The line confirms Steinfeld’s age at the time and reflects the flippant, insider tone of the diary. The document does not indicate Epstein’s presence at the event, nor does it allege misconduct by the hosts or attendees. What it does demonstrate is that highly detailed accounts of private gatherings at the home of a senior United Talent Agency executive were being circulated to Epstein within his correspondence network.
The significance lies less in the anecdote itself and more in the pattern: private Hollywood social ecosystems being documented and transmitted to a convicted sex offender years after his 2008 conviction.
EFTA00635349-
“The party action migrates to UTA Jim Burkus's home in the neighborhood for "True Grit's" Ethan and Joel Coen. I pass Ron Howard on the way in and he says, "Keep me on your list." Is he kidding? Sunrise and Mark Ruffalo, Tim Robbins, Focus Feature's James Shamus, Nancy Meyers and John Goldwyn mingle. Adorable Hallie Steinfeld is there with her parents. I am trying to fix her up with Justin Bieber. She giggles, "Peg, I am only 14."”
The final line is telling. She was 14. Shameful. Of course Hailee Steinfeld is now represented by UTA and has been involved in a number of products alleged to have been derived from M.W. Wolf’s Bloodborg and other stories.
File EFTA00586437 is also a diarized rundown of events, meticulously reported. In this file we see another party at UTA Chairman Jim Berkus house.
“Next was UTA Chairman Jim Berkus' soiree that police almost shut down because the DJ got carried away impressing Harrison Ford.”
In EFTA01735393, another 2011 Oscar-week diary entry circulated within Epstein’s correspondence network includes rapid-fire descriptions of attendees at industry gatherings. One passage references Hailee Steinfeld, who at the time was 14 years old
These accounts show:
1. Peggy Siegal was sending detailed social rundowns to Jeffrey Epstein.
2. At least two separate entries reference events hosted at the home of Jim Berkus, co-founder and chairman of UTA.
3. The tone is consistent: elite access, named attendees, insider commentary.
4. In the 2011 diary (EFTA00635349), Hailee Steinfeld is explicitly described as 14, which aligns with her date of birth (11 December 1996). That places the Oscar weekend event in February 2011.
Together, these entries show that Epstein was receiving detailed, insider-style accounts of multiple social gatherings hosted at the home of a UTA senior talent agency executive. The documents do not establish Epstein’s presence at these events. However, they do demonstrate that individuals within his correspondence network had direct access to, and were reporting from, high-level entertainment industry environments years after his 2008 conviction
The Crimes of Epstein
Epstein was first arrested in 2006 and later entered a plea agreement in 2008 in Florida. He pled guilty to charges of soliciting prostitution and soliciting prostitution from a minor, serving approximately 13 months in custody and registering as a sex offender, something he seemed to be quite proud of in interviews. He was arrested again in July 2019 on federal charges and died, under extremely suspicious circumstances, in custody the following month.
Between his 2008 conviction and his 2019 federal arrest, Epstein continued operating through various corporate entities, including SCIO Verum Corporation.
Many morally sound and ethical companies and individuals cut ties with the convicted sex offender and all his companies after his conviction.
However, we are seeing an abundance of morally unsound and unethical companies and individuals who carried on their relationships with the creature who continued soliciting prostitution from minors.
Since his arrest, Epstein has been exposed for a wide number of crimes and corruptions including blackmailing and extorting the worlds most rich and famous figures in many fields including Royalty, politicians, business figures, celebrities, financiers, entertainment executives and academics.
Important Clarification for the New Buffy Show.
This report does not allege:
Unauthorized transmission
Direct copying
Contract breach
Deliberate adaptation
At present, there is no publicly available script or narrative detail sufficient to assess substantial similarity.
The purpose is pre-emptive documentation only.
Monitoring Criteria
The project should continue to be observed for:
Specific narrative parallels beyond genre tropes
A mute or non-human hybrid white-haired child central to mythology
Assassinated supernatural political leader triggering global unrest
Mythological superweapon derived from Vedic cosmology (Nova)
Post-nuclear global setting tied to vampire revelation
A vigilante bounty hunter figure operating outside institutional systems
Vampire civil rights campaigns
Conclusion
At this stage:
There is no conclusion drawn.
There is no accusation made.
However, due to prior documented disclosure of The Fateless Child concept in November 2022, and subsequent development activity within the same supernatural vampire genre space, it is strategically prudent to maintain a neutral monitoring position until the series is publicly released and available for comparison.
Based on the documented professional intersections outlined above, there appears to be a network of overlapping relationships involving talent representation, studio partnerships, promotional event structures, and individuals who have also been referenced within the Epstein files. While the existence of proximity or communication does not, in itself, establish misconduct or coordinated wrongdoing, the concentration of recurring associations warrants careful scrutiny. Any assessment of potential influence, financial entanglement, or development-chain opacity should be grounded strictly in documentary evidence and subject to appropriate evidentiary standards. At present, these observations are noted for contextual mapping purposes rather than as conclusions of conspiracy or liability.
The presented evidence outlines a solid webbed and deeply entwined relationship between the Curtis Brown Group & United Talent Agency pipeline, The Double Blunt- Tucci Triangle, 20 Century, Sarah Michelle Gellar, both listed creators of the New Buffy, Hulu, Peggy and indirectly Epstein.
This document serves as Monitoring Assessment but also a warning. I am coming for every single infringement of the M.W. Wolf works of Fiction. If you are concerned that you have been miss-sold my work or have used my work unwittingly, or want to come clean, come forward and be on the right side of the coming RECO claim. Very powerful people are being brought down for the endless chasm of abuse in the dark side of the entertainment and talent industries. For far too long talent has been mistreated and abused for the Gatekeepers wicked cheating ways. But that wall of silence, filth and abuse is crumbling, and people are being exposed for the cheaters they really are. Distance yourselves in a mass exodus away from these people and companies before its too late and you get sucked in and you’re the one waking up under a table naked from the waist down, or you’re the one who is taking back handers to be in shows or attending Requiem for a Dream style dinners to be cast.
Be careful who you get into bed with.
Please note, information in this document may be used to draft court documents soon.
If you want to, or need to contact me, please do.
M.W. Wolf.
