The Leviticus 16 Ritualistic Atonement Operation!

The Leviticus 16 Ritualistic Atonement Operation!

Hollywood and Celebrity Industries At War!

Jonny Sellout Sticky-fingered Rat-Pig Gelly Wobble and Covert Cultural-Social-Economic Warfare.

Dark Satire Warnings Aplenty

Jeffrey Epstein, Jonny Geller, Harvey Weinstein, Riot Games, Jack the Ripper, The Chinese Communist Dictatorship, Saudi Arabia, Iran, Mossad, CIA, Hollywood. This one is juicy, and dangerous!

How one sinful man is destroying the UK Talent and Literary industries, in real time, and how this relates to shifting economic power and warfare.  

And what we can do to stop him and others, and to clean up the harbouring and harvesting of industry abusers and “Postmodern Predators.”

Introduction

Please note, this article is not anti-Semitic or Islamophobic, if you read it in this way, that’s on you. Go look in the mirror. I am spiritual but bear no formal allegiance, following nor practice of any religion. I’m merely documenting and trying to understand the many issues plaguing the Uk and US Talent and Literary, and wider celebrity industries to protect others from some of the crimes I and many others have had to endure. Something is simmering in the background which we do not understand, and which might be detrimental to the security and the safety of these industries and the wider world. Sometimes we can all be too quick to point the finger at things we don’t understand because they appear dark and mysterious to us. And because we assume that things kept secret from the public, equals evil and deviant. It’s easy to forget that the world is dangerous when forces are at play that keep us safe and shelter us from the true reality of our fragile states of security.

I’ll try to voice my concerns, document the crimes I have faced, and relate these to broader concerns.

Jonny Geller, the self and buddy proclaimed, “Mega Agent” of CBG has infiltrated and destroyed the UK Talent and Literary industries, violating them to the bone for self-promotion and profit, whilst simultaneously proclaiming to be a good liberal, and a squeaky clean Jewish man. But are his actions related to the wider concerns of these industries? 

The world is at war, make no bones about it. But this war is being fought with words, access, fame and industries.

Leviticus 16 - Hollywood and Celebrity Industries At War… With?

In his book, Yes, But is it good for the Jews?, Jonny Geller wrote that Harvey Weinstein is a “Nice Jewish boy,” in a section about Jews being good to marry. He called Weinstein “Nice Jewish boy” directly after writing, “Not for the sensitive, as he is known for his huge temper… and shall we say “Focus”.”  In hindsight, we can deliberate on what Weinstein’s “Focus” meant. Was this a sleazy inside joke? Of course it was, and soon, because he is well connected and well-funded, Weinstein will be freed on technicalities and on targeting the reliability of the evidence of the many women he abused, whilst we all know he is guilty, even his closest insiders, such as Quentin Tarantino (Quentin isn’t Jewish but his wife is and he lives in Israel) have been vocal (On the Rogan Experience)  about how they wished they had spoken to him about his behaviours.

Being guilty of a common placed crime in Hollywood (The casting couch culture and exploiting a powerful position) doesn’t make it ok because everyone is at it. Thus, the question here isn’t weather Weinstein is guilty, it’s why was he chosen as a scapegoat? One reason might be that it’s because he is the low hanging fruit, he made himself a target by being such a pig.

The story of Harvey Weinstein began to unravel in October 2017 when The New York Times published allegations of sexual harassment and assault against the film producer, spanning decades. These allegations quickly triggered a massive wave of additional claims from numerous women, solidifying the scandal's impact on the #MeToo movement.

Yet, the plot deepens, I believe that Harvey Weinstein was chosen as a sin carrying goat (Azazel-goat) because he is Jewish and this ties into a broader covert agenda of cultural-social-economic and perhaps religious warfare targeting Hollywood, economic markets, and the broader entertainment industries, such as celebrity scientists.

Leviticus 16

I propose that we are looking at a real life ritualistic enactment of Leviticus 16:1-34: The Scapegoat Ritual, the Day of Atonement.

In Leviticus 16, after the deaths of Aaron’s sons Nadab and Abihu, who died for offering unauthorized fire before the Lord, God instructs Moses to warn Aaron not to enter the innermost sanctuary, the Holy of Holies, whenever he chooses, for doing so could cost him his life. Instead, Aaron is permitted to enter only once a year, and only under strict conditions. On this sacred day, he must bring a bull as a sin offering for himself and take two goats from the people for the purpose of atonement. One goat is set apart for the Lord and offered as a sin offering, while the other is designated for Azazel. Over this second goat, Aaron confesses the sins and transgressions of the Israelites, and it is then sent away into the wilderness, symbolically bearing the nation’s sins. Aaron then purifies the sanctuary by sprinkling blood from the sacrifices on the mercy seat and on the altar, cleansing these sacred spaces from the defilement brought by the people's sins. All those who participate in the handling of the animals must wash themselves before rejoining the community. This entire process is commanded as a lasting statute to be observed each year on the tenth day of the seventh month, a day set apart for self-denial, rest from labour, and deep spiritual reflection. It is a solemn day when the High Priest makes atonement for himself, his household, and the entire nation of Israel, underscoring the seriousness of sin, the necessity of purification, and God's enduring mercy and forgiveness.

The Azazel-Goat

Harvey Weinstein is the “one that bears the blame” of many. He is the Azazel-goat which carries the sins of the Israelites. The Hebrew word “Azazel” means the goat of departure or the goat of escape. It’s a combination of the Hebrew word for goat (az) and the word for to carry or to take away, or escape (azel). Thus, the goat who would carry away the sin of Israel, the “tote-goat.” Harvey was a son of Judaism, chosen (because of his impiety) to carry the sins of these industries, to cleanse them before God.

Harvey Weinstein is therefore the “banished scapegoat.” He carries the sins of many. He is judged and punished and then set free and banished into the wilderness. Azazel means the goat that carries the sins and transgressions of the Israelite community in these Industries, to show them and others in these industries not to sin, but also to cleanse them. He was a relatively fit but fat man, but the burden of sin has eaten away at him, and now he is sickly. Weinstein experienced a series of heart-related issues while in prison. After being sentenced in 2020, he was hospitalized for chest pains and underwent a procedure to install a stent. In 2024, he was again rushed to the hospital for emergency heart surgery. If he is freed, he will remain banished and sickly. The stress of sin has caught up with him.

Leviticus 16:10.

“The goat designated by lot for Azazel shall be left standing alive before the LORD, to make expiation with it and to send it off to the wilderness for Azazel.”

Leviticus 16:20-22.

“20 And when he hath made an end of reconciling the holy place, and the tabernacle of the congregation, and the altar, he shall bring the live goat: 21 And Aaron shall lay both his hands upon the head of the live goat, and confess over him all the iniquities of the children of Israel, and all their transgressions in all their sins, putting them upon the head of the goat, and shall send him away by the hand of a fit man into the wilderness: 22 And the goat shall bear upon him all their iniquities unto a land not inhabited: and he shall let go the goat in the wilderness.”

THE SLAIN GOAT

In Leviticus 16, the other goat is sacrificed. Can you guess who this is? Yeah, the other high profile Jewish sinner, Jeffrey Epstein.

Jeffrey Epstein was born on January 20, 1953, in Brooklyn, New York, to Pauline (née Stolofsky) and Seymour Epstein, both of whom were Jewish and children of Jewish immigrants. Epstein was raised in the Sea Gate neighbourhood of Brooklyn, a middle-class, predominantly Jewish community. Throughout his life, Epstein maintained connections with Jewish institutions. He made philanthropic contributions to various Jewish organizations, including yeshivas, Hillel chapters, Jewish foundations, and he became an American financier and sex offender, charged with sex trafficking of minors.

No beating about the bush here, I’ll just put my theory out there. I believe that Jeffrey Epstein and his girlfriend, Ghislaine Maxwell, were spies turned uncontrollable and sinful loose ends and had to be cleansed.

In my hypothetical, Jeffrey Epstein was recruited by the CIA who were searching for American Jewish people to become joint assets between the CIA, allied and Israeli Mossad agencies. Epstein fit the profile as culturally shifting and morally flawed. Someone who would fit and blend into the regions of the world in which he was needed, which is to say the middle east, the US, and entertainment industries. He worked as a Naked asset on many missions including trafficking of weapons and other stuff. This introduced him to many governments. He became well known and skilful in trafficking circles, and brushed paths with people trafficking of minors.

Without pressing oversight or need to adhere to any single government or intelligent agency’s standard practices, Epstein found free licence to explore the darker vices he was exposed to, and to push his boundaries to their limits. This alone is a warning of unregulated power and control, and an allegory of what happens when man’s vices are allowed to fester without oversight or regulatory bodies and enforce laws. Turning the blind eye, or letting things slide has a long and dark history of coming back to bite us on the arse.

Both in the spy game, Epstein became acquainted with Robert Maxwell in the late 70s or 80s. Epstein learnt a lot of the multi-agency spy craft from Maxwell who worked for numerous governments as a triple agent. Maxwell flipped sides and worked many angles, and Epstein took note. Robert Maxwell introduced his daughter to Epstein.

Epstein, with his new partner Ghislaine Maxwel, merged his trafficking skills and profile with his darker vices, to set-up a honey-trap operation. They were most likely given targets by both agencies, trafficking young and underage girls to global political figures, celebrities, scientists, academics, and high profile people for sex. The targets were recorded and blackmailed for information, money and access for Israeli intelligence and the interests of the CIA.

Yet, the problem was, Epstein was more depraved than most of his targets. He soon used the operation for personal profit and to manipulate and exploit people, outside of agency control and authorisation. He’s operations grew darker and deeper, his victims younger, his targets more powerful, spiralling out of the acceptable range of both agencies. He blackmailed everyone and kept recordings. His degeneracy, recklessness and impulsiveness, along with a thread of extorting the wrong people made him a liability. 

Sanitizing

Following a period of reputational decline after the premiership of Ehud Barak, Mossad began to restore its image under the leadership of Meir Dagan, who became director in 2002. Strategic successes, including operations targeting terrorist networks and efforts to disrupt their financial infrastructure, helped rehabilitate the agency’s standing both domestically and internationally. These achievements, such as its role in uncovering Syria’s covert nuclear program, reinforced the Mossad’s reputation for operational effectiveness. However, that progress was challenged in 2010 when the assassination of Hamas operative Mahmoud al-Mabhouh in Dubai drew international scrutiny. The operation, which involved the use of forged foreign passports, provoked diplomatic tensions with multiple countries and reignited controversy over the agency’s methods. Despite this, the reforms and high-profile successes during Dagan’s tenure were instrumental in reestablishing the Mossad as one of the world’s most formidable intelligence organizations.

Jeffrey Epstein’s earlier conviction occurred in 2008 after he struck a controversial plea deal in Florida. Though originally facing serious federal charges involving the sexual abuse of multiple minors, he pleaded guilty to two lesser state charges of soliciting prostitution, one involving a minor. He was sentenced to 18 months in jail but served only 13 months, much of it on work release, allowing him to leave the facility for up to 12 hours a day. The deal, arranged by then-U.S. Attorney Alexander Acosta, also granted Epstein and unnamed associates federal immunity, and was made without informing many of the victims, an act later deemed a violation of their legal rights.

This was a warning to Jeffrey Epstein, an act of power and control to show that he isn’t too big to take down.

During the 2000’s his business partnerships or dealings included former Israeli Prime Minister Ehud Barak till at least 2016, and William Burns, former director of the Central Intelligence Agency who he met up with on a number of occasions in 2014. These late dealings were likely intelligence gathering operations to feel out Epstein state of allegiance and state of mind. These late attempts clearly didn’t work for the CIA nor for Mossad. With Epstein stonewalling and disobeying the intelligence agencies who made him, I suggest that during this clean up, deals were made between Mossad and CIA to remove Jeffrey Epstein’s previous protections including the Op Blackout style media silence.

Yom Kippur

The Leviticus 16 ritualistic atonement operation was initiated. Yom Kippur, also known as the Day of Atonement, is the holiest and most solemn day of the year in Judaism. Yom Kippur falls on different days of the Gregorian (Western) calendar each year, but always on the same day in the Hebrew calendar: the 10th of Tishrei. The Hebrew calendar is lunar-solar (based on moon phases but adjusted to match the solar year). Thus, while Yom Kippur is always 10 Tishrei on the Jewish calendar, it may fall anytime from mid-September to mid-October on the secular calendar.

Yom Kippur is commanded in the Torah:

Leviticus 16:30

“For on this day atonement shall be made for you to cleanse you; from all your sins you shall be clean before the Lord.”

Harvey Weinstein was publicly exposed on October 5, 2017. Then, a year later, without the media blackout, the Jeffrey Epstein story was ultimately brought to national attention by investigative journalist Julie K. Brown of the Miami Herald, whose November 28, 2018, series "Perversion of Justice" exposed how Epstein had avoided serious punishment despite abusing dozens of underage girls. Brown's reporting reignited legal action and public outrage, leading to Epstein's arrest in 2019. While her work proved decisive, many other journalists had tried earlier, including Vicky Ward, whose 2003 Vanity Fair profile was edited to remove victim accounts, and Nick Bryant, who published Epstein’s black book and flight logs in 2015. These efforts were often suppressed or ignored, reflecting what many have described as a media blackout around Epstein’s crimes and powerful connections.

In the Harvey Weinstein Azazel-Goat situation, the 2017 day of atonement (Yom Kippur) fell between September 29–30. Just five days before he was exposed.

In the Jeffrey Epstein’s slain goat situation, the 2018 day of atonement (Yom Kippur) fell between September 18–19. This is a much longer reach of 71 days before he was finally exposed. His case is much more complex and serious, perhaps this partly explained the extended time needed to lift the embargo on him. But also, on October 27, 2018, a tragic mass shooting occurred at the Tree of Life synagogue in Pittsburgh, Pennsylvania, resulting in the loss of 11 lives. This event was the deadliest attack on the Jewish community in U.S. history and prompted global solidarity and discussions on antisemitism. This religious hate crime might have resulted in delays in exposing Jeffrey Epstein for fears of increased anti-Semitic retaliations and sentiments growing from cases so close together.

The Goulston Street graffito

Sidenote, this evokes parallels of the Jack the Ripper case. The Goulston Street graffito, a cryptic message discovered on September 30, 1888, is a key element in the Jack the Ripper events. The message, "The Juwes are the men that will not be blamed for nothing," was found chalked on an alleyway wall above a piece of Catherine Eddowes' bloodstained apron, which was discovered on Goulston Street. Jewish immigrants fleeing the eastern pogroms were scapegoats for the spiralling poverty and lawlessness of the district during the “Autumn of Terror.”  The exact message and the meaning is still debated today, 137 years later. As is the identity of Jack the Ripper. I have my own theory but that’s a book I’m not ready to write. Police Commissioner Sir Charles Warren and Police Superintendent Thomas Arnold ordered the message to be erased, for fears of religious tensions and anti-Semitic rioting and blaming for the Whitechapel murders.

Yom Kippur, the Day of Atonement, fell on Saturday, 15 September 1888. Fifteen days before the Goulston Street graffito.

I’m evoking parallels here, not suggesting that Jack the Ripper was a Jewish man and not stating that the Autumn of Terror was also a Leviticus 16 Ritualistic Atonement Operation. As you will see, even if both of these things were true, Jewish people are not to blame. The case could be that this was a Jewish atonement ritual to condemn the murders and atone for the sins of one Jewish man. Yet, it could also be that this was a ritual aimed at placing anti-Semitic blame on Jewish people.

The coincidence of Yom Kippur in 1888 and the Ripper panic highlights how atonement and accusation often coexist in societies that fear the unfamiliar and punish the vulnerable.

Autumn and Winter

However, the autumn and winter months, in which all these events have occurred thus far, are especially significant in Judaism for both religious and historical-cultural reasons. Between September 18 and November 28, 2018, the Jewish community observed several significant religious holidays and cultural events. As the days grow darker, Jewish life brings more light, through repentance, remembrance, and renewal.

Yet, we can see that in both situations and perhaps in the Jack the Ripper case, their downfalls could have been initiated on Yom Kippur.

The Sentence of Sin

With Epstein behind bars, all that was left to do (before the clean-up) was the slaughter of the goat.

Leviticus 16:15-19

 “15 He shall then slaughter the goat for the sin offering for the people and take its blood behind the curtain and do with it as he did with the bull’s blood: He shall sprinkle it on the atonement cover and in front of it. 16 In this way he will make atonement for the Most Holy Place because of the uncleanness and rebellion of the Israelites, whatever their sins have been. He is to do the same for the tent of meeting, which is among them in the midst of their uncleanness. 17 No one is to be in the tent of meeting from the time Aaron goes in to make atonement in the Most Holy Place until he comes out, having made atonement for himself, his household and the whole community of Israel.

18 “Then he shall come out to the altar that is before the Lord and make atonement for it. He shall take some of the bull’s blood and some of the goat’s blood and put it on all the horns of the altar. 19 He shall sprinkle some of the blood on it with his finger seven times to cleanse it and to consecrate it from the uncleanness of the Israelites.”

The slain goat is offered first, and only after the blood rites are completed is the Azazel-goat sent away. This order is intentional and symbolic, first, atonement is made through sacrifice, then sins are symbolically removed from the people.

On July 6, 2019, Epstein was arrested at Teterboro Airport in New Jersey on federal charges of sex trafficking minors in Florida and New York. He was denied bail and held at the Metropolitan Correctional Center in New York City while awaiting trial. On August 10, 2019, Epstein was found dead in his jail cell. The New York City medical examiner ruled his death a suicide by hanging, though the circumstances surrounding his death have been the subject of significant public scrutiny and speculation. According to the Department of Justice's Inspector General report, Epstein used an orange noose fashioned from a bedsheet or a shirt to hang himself. There were irregularities at the prison, including malfunctioning cameras and guards failing to perform required checks. An independent autopsy suggested signs of possible strangulation, which fuelled public suspicion.

I don’t believe the official narrative. I don’t know a single person who believes that story. Most people I have ever heard speak about this event believe he was murdered. But It really doesn’t matter who tied the noose, the result is the same… a slain goat.

Six months later, In February 2020, Harvey Weinstein was convicted on charges of rape and sexual assault. He was found guilty of one count of rape in the third degree and one count of criminal sexual act in the first degree. However, in 2024, this conviction was overturned by the New York Court of Appeals, leading to a retrial that started on April 23, 2025. He remains in prison due to a separate California conviction. There's no definitive release date, as the outcome of the retrial will determine his future. If he is released, it will likely be in the Autumn and Winter.

Please see my blog detailing a line by line breakdown of Leviticus 16 for a more comprehensive insight of this ritualistic enactment.

Atonement, Intelligence, and the Day of Yom Kippur

You think this is farfetched don’t you, well go checkout the history of this!

The themes of accountability, reflection, and moral reckoning found in the Jewish observance of Yom Kippur have, on rare but powerful occasions, intersected with the world of intelligence and national security. Nowhere is this more striking than in the events of the Yom Kippur War of 1973, when spiritual solemnity collided with strategic failure.

On October 6, 1973, as the people of Israel observed the Day of Atonement in fasting and prayer, Egyptian and Syrian forces launched a surprise assault on Israeli positions in the Sinai Peninsula and the Golan Heights. The timing of the attack was no accident. Israel’s enemies knew that Yom Kippur brought the country to a standstill. The resulting war tested the resilience of the Israeli Defense Forces and exposed severe failures within Israel’s intelligence establishment.

At the heart of this breakdown was a deeply held assumption within Israeli military intelligence known as “The Concept.” Analysts believed that the Arab states would not initiate war unless they could withstand Israel’s military response. This theory blinded decision-makers to clear warning signs, including high-level intelligence from Ashraf Marwan, a well-placed Egyptian source reporting to the Mossad. Despite his urgent message that an attack was imminent, Israel did not fully mobilize its forces.

The shock of the attack and the early Israeli losses led to a public outcry and an urgent demand for accountability. In the months that followed, the Agranat Commission was formed to investigate the causes of the intelligence and military failures. The commission's findings led to the dismissal of Major General Eli Zeira, then head of military intelligence, and the resignation of Chief of Staff David Elazar. Their departures were widely viewed as acts of national atonement. The alignment of these events with Yom Kippur lent the moment a deeper spiritual symbolism: the war became not only a test of arms but a moral reckoning.

This was not the only time intelligence work intersected with themes of religious or ethical atonement. In the United States, the revelations of misconduct by the CIA during the Church Committee hearings in the mid-1970s (shortly after the Yom Kippur War) also carried the tone of institutional repentance. The exposure of assassination plots, domestic surveillance against American citizens, and unethical experimentation forced the agency to reform under public scrutiny. The creation of permanent congressional oversight marked a structural shift, reflecting the democratic principle that even intelligence agencies must be accountable for past misdeeds.

More recently, the United Kingdom’s intelligence community has had its own moments of reflection. The UK government’s 2018 apology for its role in the rendition of Abdul Hakim Belhaj and his wife to Libya, where they were tortured under Muammar Gaddafi’s regime, was unprecedented. Then-Prime Minister Theresa May acknowledged that British actions had caused "appalling suffering," offering a formal apology and a settlement. Though not religious in character, the act bore the structure of moral atonement, undertaken in the name of the state.

These cases differ in their specifics, but all revolve around the same core tension: when intelligence fails, or when it overreaches, there must be a reckoning. I suggest that this is what both the Epstein and Weinstein cases are. Whether expressed through resignations, inquiries, reforms, or apologies, the process of facing institutional guilt often mirrors the ancient rituals of confession and accountability found in religious practice.

Sidenote, I suggest that soon we will see both Jonny Geller of CBG and Riot Games being processed and punished through atonement rituals.

Yom Kippur, as a day dedicated to truth, memory, and repentance, remains a powerful lens through which to understand these moments. It reminds both individuals and institutions that even when consequences are irreversible, the responsibility to seek clarity, admit failure, and strive toward moral repair remains.

You can repent, or you can be repented! You choose!

The Spy Game

The Spy Game is dirty. It’s dangerous. It’s clandestine. It’s hyper dynamic. The agencies cannot have their assets on short leashes popping into the office, clocking in from 9 to 5. It only works if the assets can be released into a sea of uncertainty. The agents create much of their own rules and mission protocols and standard practice procedures as they must adapt and overcome all challenges in real time. They do what works not what they should do. They must adapt like this to survive.

Some of the things these agencies are forced to do to keep the public and their nations safe are not pretty. Sinful even. They require a special kind of people. The kind that will smash your toes with a hammer or put your hamster in a blender or will lean on whatever, and whoever, you love to get what they need. It’s a dark and unforgiving game, yet it’s also an important necessity for the greater good. For the safety of my daughter, your son, your grandchild, my mother, your father. Every single day we are safe, directly because of the spy game and the sacrifices made for us to live in security. Most of these intelligence agents are heroes.

Yet, like every job role, and more so in jobs of high authority, power and control, you get psychopaths, wronguns, and abusers of power and position and control. This coupling of exposure via spy work and darkness of soul is what made Jeffrey Epstein, and the Day of Atonement is what ended him.

He was selected by non-Jewish people because he was an American Jew. He was slain by Jews and the CIA, because he was a Jew doing wrong and Leviticus 16 requires a slain goat to wash away the sins of the Israelite community in these Industries, to show them, and others in these industries, not to sin, but also to cleanse them.

In my hypothetical, in protecting its people, Mossad created monsters in the infiltration and control over the Talent, Entertainment and celebrity industries. Mossad orchestrated the ritualistic downfall of the slain goat (Epstein) and needed a goat to punish, hold the sins of many and be banished (Weinstein). This is an act of atonement and warning.

Others should learn from these two ritualistically sacrificed sinful sons of Judaism.

Alas, Jonny Geller didn’t heed this warning, in April 2020, less than two months after Harvey Weinstein was made a scapegoat, Jonny Geller and felicity blunt of Curtis Brown Group sold my manuscript of Bloodborg to Riot Games, marking a drastic shift in power and influence and financial backing over animation and film industries away from U.S Hollywood economics and into the hands of Tencent Games, a Chinese conglomerate with strong ties to Chinese Military-civil-fusion concerns.

I guess that’s the spy game for you, you never quite know if you’re playing into the hands of the enemy or enabling a paedophile people trafficker. If you are a soulless rotting man hiding behind fake morals and fake virtue signalling to falsify a squeaky clean persona, you’ll sell out your own rabbi for a bit of coin.

Covert Cultural-Social-Economic Warfare.

Before moving on to Jonny Rotten Geller, it is worth noting that the Jewish influence in Hollywood, deeply embedded in its early history, has faced evolving challenges in the modern era. Jewish individuals were instrumental in building the foundations of the American film industry, establishing major studios like Warner Bros., Paramount, and Universal during a time of widespread exclusion from other sectors. Their legacy continues, but the landscape around them has shifted dramatically. Today, Hollywood operates in a global, decentralized entertainment economy shaped by a range of powerful forces.

In recent years, major changes have included the rise of streaming platforms like Netflix, Amazon, and Disney Plus, which have disrupted traditional studio economics; the globalization of content, with significant investment and competition coming from Asia, especially China and South Korea; and the decline of theatrical box office revenues after COVID-19, leading to a rethinking of distribution models.

Additionally, the industry has faced intense political and cultural debates around representation, censorship, and influence, both domestically and abroad. These shifts have been interpreted by some as natural market evolution and by others as deliberate efforts to undermine or redirect Hollywood’s dominance. Whatever the cause, Hollywood is no longer the sole cultural epicentre it once was, and its future is increasingly tied to how it adapts in this rapidly changing global environment.

Tencent Games, a Chinese conglomerate with strong ties to Chinese Military-civil-fusion concerns, owns Riot Games, who used my manuscript of Bloodborg to build Arcane. This allowed them to branch out into film, TV, live action and animation industries, marking a major shift from US and UK creative economies and data streams to China. Tencent acquired 100% ownership of Riot Games in 2015. It began full scale production of Arcane in 2020, almost as soon as they had my manuscript they got the greenlight on funding, although they falsely claim otherwise. Weirdly, right at the very same time as the events of the Leviticus 16 ritualistic atonement were set in motion.

Riot Games have a whole list of concerns and crimes behind them, not least to mention stealing IP from a vulnerable and disabled veteran (Me). Please check out my blog - https://www.mwwolf-fiction.co.uk/mw-wolfs-blog/under-the-skin-at-riot-games-why-you-should-be-worried to see how Riot Games are being used as a data mining operation and a Psyops on the US public and wider western societies.

Governments have raised concerns over data handling and data control being in the hands of the Chinese dictatorship who are already setting the foundations and pre-conditions for social scoring networks within Riot’s toxic and radicalised community, which undermines federal authority and law.

Moreover, Tencent are hoping to overthrow WhatsApp as the king of free end-to-end encrypted messaging. The US government has already published its concerns over the app TikTok (owned by Chinese Internet company ByteDance) being used as data collection and spying tools. The United States House Committee on Foreign Affairs has been investigating and taking action regarding Tencent, a Chinese technology company with significant investments in the global gaming industry. The committee has expressed concerns about the potential risks to US national security posed by Tencent's investments, particularly in companies like Epic Games and Riot Games, which both operate globally. Tencent were also accused of installing spyware in millions of European and US computers through an update of Riot Games Vanguard. If this doesn’t raise red flags, then you are not awake.

Meanwhile, the epicentre of global esports influence has begun shifting toward Saudi Arabia. While Riot Games has yet to make esports profitable, its involvement has greatly expanded its data collection and user engagement capabilities. The movement of esports funding and control outside of the Western sphere illustrates the broader redistribution of cultural and technological influence in the 21st century.

Behind Sinners Curtain – Protection or Selection

But is there something more sinister at play. Is this shifting of power, influence, ownership, data and economies an act of covert warfare?

Were the two goats protected because of Judaism, or selected because of Judaism? Was The Leviticus 16 ritual a Psyops by The Mossad, or against them?

I ask, was the Leviticus 16 ritualistic atonement in fact a rouse, an engineered slander campaign to destabilize the public’s trust, loyalty and backing of the Hollywood, entertainment and celebrity Industries? And even science and academia have recently come under fire, what with so many “Celebrity Physicists” rubbing bellies and noses with Jeffrey Epstein and other hedge fund managers and allowing external interests to seep into science and academic studies, as apposed to proper rigorous evaluation and conclusion.

Or was it a Jewish ritualistic cleansing of the collective for God’s blessing before a new aged warfare? A New Age Crusade? Is this ritual the High Priest making atonement for himself, his household, and the entire nation of Israel, underscoring the seriousness of sin, the necessity of purification, and God's enduring mercy and forgiveness, a head of war?

I suggest, that behind the curtains, there are ancient wars still being fought and some of the events mentioned in this article are in fact acts of Covert Cultural-Social-Economic-Data Warfare.

Conflict and Conquest of Zion, in some many ways, date back to the Israelites and Canaanites after the great flood. It would be silly to think that both sides are not using modern warfare techniques to gain the upper hand. It would be even sillier of us to think that allies on both sides were not also at it.

China and the US are also embroiled in Covert Cultural-Social-Economic-Data Warfare. China and Saudi Arabia have a strong strategic partnership. The US supposedly infected Iran’s nuclear centrifuges with a malicious computer worm called Stuxnet which reportedly destroyed almost one-fifth of it, and infected thousands of Iranian government computer systems.

The industries in question are vast data streams, they are a boiling cauldron of espionage, sabotage and Covert Cultural-Social-Economic-Data Warfare.

Thus, I suggest that much of what Riot Games backed by Tencent are doing, is connected to wider geopolitical conflicts which are very engaged and deeply complex and the two bumbling Bro-mancing cofounders of Riot Games were selected precisely for the same reasons why Jeffrey Epstein was selected by the CIA. He had no moral compass, he was debauched, intelligent, he was Jewish but had no real faith nor loyalties and he was expendable. The two founders of Riot Games were naïve college frat bros without a care in the world who they stole from. They allegedly sabotaged Dota Allstars, destroying the years of work of many public modders, swiping the code and selling it back to the public. They clearly had no moral compass between them and would sell each other for a bit of coin. Thus they attracted billions of dollars of backing from Tencent before they even launched with a diabolical rip off game full of swiped characters and IP.

I suggest that the two gormless founders don’t even know that they were groomed to be data harvesting prats. I’ve heard Marc Merrill state that if China asked for the data, he wouldn’t give it to them. This alone shows that he hasn’t got a clue how his own product works. I suggest that they are already handling the data, and he wouldn’t even recognise it if they wrote it in an email to him in plain English. This is alarming! He clearly has no idea how data security works. He and his bro are reckless risks to international security.

Thus we have a mangled web of espionage, sabotage, and Covert Cultural-Social-Economic-Data Warfare taking place, with many agencies, ideologies, missions, aims and governments dipping into the web for a bit of info from time to time.  

Surely, it can’t get any worse. Oh shit, in comes Jonny Sticky-fingered Rat-Pig Gelly Wobble, another immoral thief without a care in the world for the lives he destroys and the writing he rapes to the bone for profit.

Please note, I call Jonny Geller by his proper names because he is a greedy, abusive, thieving rat stealing from the “Slush Pile” and from vulnerable aspiring writers to sell to Netflix, Marvel, Riot Games and other rich, powerful and gigantic companies who abuse the work to fit into the political narratives they wish to push, which is also kind of like Covert Cultural-Social-Economic-Data Warfare. 

Jonny Rat

Sidenote, last night I watched Katie Hopkins on Andrew gold’s Heretics podcast. They discussed several controversial statements that Katie made which have been widely criticized as dehumanizing and offensive, particularly in relation to migrants and refugees. In a 2015 column for The Sun, Hopkins described migrants as "cockroaches" and suggested using gunships to deter them from crossing the Mediterranean. This language drew condemnation from the United Nations, with the UN High Commissioner for Human Rights highlighting that such terms were reminiscent of Nazi propaganda used to dehumanize Jews and others during the Holocaust. The UN official stated, "The Nazi media described people their masters wanted to eliminate as rats and cockroaches."

While Hopkins did not explicitly call Jews "rats," her use of dehumanizing language has been compared to historical instances where such metaphors were employed to incite hatred against various groups, including Jews. Additionally, Hopkins has faced criticism for other remarks perceived as antisemitic. In 2014, she tweeted a joke suggesting that Orthodox Jews are "tight," perpetuating a harmful stereotype. When confronted about this tweet by the Campaign Against Antisemitism, she initially denied its existence before deleting it.

Please remember, nothing I call Jonny Geller has anything to do with him being Jewish. It’s because he is Jonny Sticky-fingered Rat-Pig Gelly Wobble, an immoral thief without a care in the world for the lives he destroys and the writing he rapes to the bone for profit.

Trauma Writing is Medicine

My 10 years of very personal and sensitive trauma writing has been repeatedly abused by Jonny Geller and Felicity Blunt of Curtis Brown Group. Trauma Writing is Medicine. People suffering from PTSD use journalling and trauma writing as therapy, to take agency over the past, to make sense of it and to gain control of it. A part of the problem with controlling or regulating trauma and it’s affects, is that trauma is fracturing and unpredictable. Trauma is tricky, it’s strange, it’s oblique and foreign to the mind. It manifests in myriads of ways, disorders, emotions and behaviours. By writing it down, in journal logs or in fictional stories, the sufferer can begin to make sense of it and gain control over it. Writing also acts as exposure therapy at a safe distance, creating a bridge between ones suffering and their mind.

Its standing in the dark and not seeing monsters, it’s jumping in the deep end and swimming to safety, it’s watching a horror movie, then sleeping like a baby. This is why people who are carrying trauma like, or make, horror movies and books. Like Mary Shelley's Frankenstein, which is a hypnagogic inspired personification of her trauma of losing a baby.

Thus, stealing one's trauma writing- like Riot Games have done to me to make Arcane- is the filthiest form of copyright infringement. It constitutes Psycho-emotional abuse and privacy violations. Its stealing one's medication, it’s akin to taking one’s inhaler away during an asthma attack. Or stealing a wheelchair from a double leg amputee. It’s filthy, and their retaliations after, have been even filthier.

Back to Jonny Geller.

Jonny Geller, who seems to think these crimes of Harvey Weinstein, The Azazel-Goat are just “Focus,” goes on social media proclaiming to be virtuous and worried about AI, whilst him and his “Pet Writer” Lisa Jewell used AI to adapt several of my personal trauma-informed works into Breaking the Dark, which is evidenced in the disjointedness, style shift, stitching together of my plot points, and almost identical sections with minor onomatopoeia changes. Oh, and of course the massive up-use, and overuse, of Em Dashes (A hallmark of AI generated writing) littering Breaking The Dark. This isn’t present in Lisa’s previous works, such as I found you and The Night She Disappeared, both of which I’ve analysed. Breaking the Dark will soon be a free PDF on my website. Then, with the Marvel commissioned money, Lisa and Jonny went on a US tour drinking cocktails and leaving used condoms on the hotel room floors whilst their families were at home in the UK.

Jonny Geller is the sin at the heart of darkness infecting these industries. This man is an archetypal “Postmodern Predator.”  He hides behind a fake persona of good to hide the fact that he is a weak cheating scumbag. He truly is a son of a “Jungle Gun!” Are we seeing the birth of the next untouchable mega filth bag, a new goat?

To find out more about these terms such as Postmodern Predator and Jungle Gun, and the theory behind them, go check out some of my other writing and the coming published articles.

Sticky-fingered Rat-Pig Gelly Wobble has stolen my manuscripts, synopses, queries and even aspects of my highly scientific nonfictional work of the IO-CU, such as the “Black Flash.”

Sinful Sellout

I tell thy, around 2020, whilst the world was coming out of Covid lockdowns, and all of the creative industries were suffering, Sticky-fingers was looking to capitalise and exploit the pandemic. He strengthened a working relationship with UTA, to falsify assets ahead of the merger between the two companies which later finalised in the summer of 2022 (This is fraud on the shareholders). UTA had strong ties to Netflix, so they made a deal with Riot Games to give them my manuscript and to broker a deal with their contact at Netflix, so long as UTA’s cultural fit writer Amanda Overton could come in to adapt my manuscript into Arcane and so long as Talent from both CBG and UTA account for 50% of the main body of cast screen time for Arcane.

UTA and CBG represented over 80% of Arcane’s top-billed voice cast. Amanda Overton, Executive Story Editor, Writer, is UTA Represented. Characters represented by UTA and Curtis Brown Group received significantly more screen time than most, with Steinfeld, Purnell and Leung being the top three, Kevin Alejandro in fourth place and Lloyd being the 5th most onscreen character. That’s the top five roles in Arcane, cast by the same conglomerate, who has been evidence to have been sent Bloodborg, and has a history of ongoing copyright concerns of the M.W. Wolf catalogue of Fiction. Moreover, Jason Spisak, as Silco, represented by UTA, is joint 7th for most screen time. Silco is also perhaps one of the most iconic and plot-wise important roles.

The cast represented by UTA and CBG had 65 % of screen time of the main cast. CBG and UTA were in close collaboration leading up to their merger. This means that the six members of the cast represented by UTA and CBG had almost exactly 50% more screen time than the rest of the eight main cast members. UTA's agent Abby Glusker shares a rare surname with Riot’s original law firm (Greenberg Glusker LLP), and Riot Games main attorney on the cast, from Greenberg Glusker, is Josh Geller, just a few extra fun facts and coincidences tossed into the mix.

Casting Director David Lyerly worked extensively with UTA-represented talent. UTA Senior Agent Kathy Cavaiola specialized in animation and literary talent, casting Mia and perhaps Miles who may also be linked to UTA, showing overlapping work with Arcane staffing beyond those listed. Executive Producer Jane Chung Hoffacker, who has since distanced herself from Arcane, now claiming to just be a runner, later worked with Netflix/UTA pipelines and UTA is a main contributor of Netflix talent. Executive Producer Thomas Vu collaborated professionally with UTA/CBG linked creatives on Riot Games properties.

Of course, this happened, Geller got his Netflix proper inside privilege or direct contact, and we have since seen many adaptations of my work and the work of others from CGB on Netflix and this trend continues.

Ring-a-ring o' roses, pocket full of spies.

Riot Games pretty much kept working through Covid, breaking  lockdown rules and abusing tax breaks in several countries such as: The US, France and Spain to build Arcane, which is a rip-off of my Bloodborg: The harvest manuscript which had been submitted to Curtis Brown Group and Riot Forge. This is Tax fraud of course, Tax breaks DON’T cover stolen products, this is fraud, corruption and laundering.

France and Spain offer cultural tax rebates for animation and tech investments, which many production companies (Netflix, Ubisoft, etc.) legally access. Thus they accessed my sensitive trauma writing, most likely via Jewish Jonny Geller,  to get the show greenlit and used the themes of diversity to bail them out of the trouble they were in with the State of California for abusing women and also used “Cultural Fits” like Amanda Overton to get cultural tax rebates in multiple countries, and the bulk of long term profit and data gained will be transferred to Tencent who are legally made to share their information, access and data with the Chinese Communist dictatorship. It’s Ring-a-ring o' roses, pocket full of spies.

Carry On Up Your Spyhole - Abuse of Tax Credits and Employees

On top of this, just five years before, in an effort to support its operations and expansion, Riot Games entered into a California Competes Tax Credit Allocation Agreement in 2015. Under this agreement, the company was awarded a $3 million tax credit by the California Governor's Office of Business and Economic Development. The credit was contingent upon Riot Games meeting specific milestones, including investments in infrastructure and the hiring of full-time employees within the state. 

In the years since the California Governor's Office of Business and Economic Development gave away 3 mill of taxpayers money, to what many call a Chinese spy tool, Riot Games have been the centre of multiple controversies involving workplace misconduct, legal battles, executive allegations, cybersecurity breaches, and organizational upheaval. In August 2018, a detailed report by Kotaku exposed widespread gender discrimination and a toxic work environment at the company effecting thousands of women. This triggered internal unrest and public backlash. On May 6, 2019, over 200 employees staged a walkout at Riot’s Los Angeles headquarters to protest the company’s use of forced arbitration to handle the many sexual harassment claims. Riot were also criticised for its pretty much illegal NDAs. In November 2018, a class-action lawsuit was filed against Riot alleging systemic gender-based discrimination and unequal pay. After years of litigation, Riot agreed to a $100 million settlement in December 2021. The court granted final approval in May 2023, benefiting over 1,500 current and former female employees and contractors.

Controversy also surrounded former CEO Nicolo Laurent, who is now known as Nico the Sicko. Nico is alleged to have chased young female employees around the offices with cupped farts. In January 2021, a former executive assistant, Sharon O'Donnell, accused Laurent of sexual harassment and wrongful termination. One of the claims was that Sicko asked her to come to his home whilst his wife was away. Riot’s board initiated an independent investigation which concluded in March 2021 that the claims were unsubstantiated… because that’s impartial. In May 2024, an arbitrator dismissed the lawsuit entirely, which highlighted the unfairness of the burden of evidence placed on abused women speaking out against powerful abusive men in high positions. Many were outraged as Sicko was well known to be a sex pest. Despite the outcome, the case intensified public scrutiny of executive conduct within the company. Whistleblower complaints have been made but Nico the Sicko fled to France before other charges were brought against him. He still consults for Riot Games, so they definitely learnt their lesson!

In addition to workplace issues, Riot faced a major cybersecurity breach in January 2023. Hackers infiltrated the company through a social engineering attack, stealing source code for League of Legends, Teamfight Tactics, and a legacy anti-cheat platform. The attackers demanded a ransom of $10 million, which Riot refused to pay. Although no user data was compromised, the breach delayed updates and raised concerns over data safety and potential cheat development using the leaked code.

In January 2024, amidst litigation against me after they misused my Bloodborg manuscript to make Arcane, Riot Games laid off around 530 employees, about 11 percent of its global workforce, including the narrative teams and the Riot Forge publishing arm which had my manuscript, citing the need to refocus on core projects and ensure long-term financial sustainability. The layoffs, paired with ongoing scrutiny over labour practices and executive decisions, reflect the persistent organizational challenges Riot has faced and the rotting core of their unethical and abusive business practices, which might include spying, whether they are complicit or not. These incidents collectively reveal deep structural issues, safety and data concerns, sexual deviant cultures, and abusive bro-mancers within the company and continue to shape its public image and internal culture.

And yet, during all of this, France and Spain and The US gave Riot tax cuts from public purses for employee and cultural development, so they can abuse more employees, steal more IP, branch into more industries gaining more data control, and redirect whole industries and economies to an adversarial communist dictatorship.

It’s totally absurd. Its sounds like a bad Monty Python sketch, or a Carry On movie.

Carry On Up Your Spyhole gets worse.

Arcane

Riot could not make Arcane work because they had a gormless non-creative as the leader of the project, The Weak Linke. Christian Weak Linke can be seen in many interviews spouting nazi-like one mistake policies and talking about himself being a leader with self-aggrandising and self-pitying videos and fake stories as publicity stunts, such as the Powder crying scene, which of course is a cheap rip-off of the famous Henry Thomas audition for ET crying scene. The Weak Linke can be seen carrying his mumbling Mop Brush sidekick co-defender with him sometimes. These pair of prats are exactly why Riot Games finds itself in so much trouble, but they don’t care because they have billions in eastern black budgets spat at them, and they suck up that foamy spit like its cotton candy.

Thus after receiving my manuscript in 2020, they did a 180 turn on the story and narrative elements, forcing and retconning characters of LOL to fit my narratives, this is why most of the Arcane characters have new backstories.

The Arcane story, before Riot had access to Bloodborg, consisted of storyboards, written by Ash Brannon, of a fight in Episode 3, then Jinx jumps on an airship and flies away. Evidence has been shown in materials and cast and producer public comments that Jinx travelled to Bilgewater with Twisted Fate, where she lived with two criminals (Twisted Fate and Graves) in this Pirate Bay. One of which (Twisted Fate) is heavily shown in the 10 year anniversary video of 2019. Then he is scrapped. This is confirmed by many involved. Jinx even wears the pants of the Bilgewater Pirates and the X on her chest as her trousers and outward appearance were not completely redesigned. She was forced into my narratives and trauma, then forced into the Cyberpunk aesthetic from Bloodborg, such as the blue monkey graffiti and other character aspects which are now signature to her.

Of course, none of this Bilgewater stuff happened in Arcane, because as soon as they illegally obtained the Bloodborg manuscript, they actually had a story, thus every event, plot beat, story arc and development of Arcane, less for the final rocket scene, are carbon copies of this in Bloodborg.

Now they have a 20 year animation contract with the French Animation company Fortiche Production SAS, and the stories of Viktor, Caitlyn, Jinx, Vi, Mel Medarda, Warwick, Ambessa, and more characters and storylines are directly derived from Bloodborg: The Harvest. Moreover, Both Mel Medarda and her mother Ambessa were 100% taken from Bloodborg.

This is the future of Riot Games and the future direction of the animation, live action, TV and film industries and economics. Its founded on the theft of a disabled and disadvantaged British Army veteran’s writing, during the most traumatic period of his life. My manuscript was most likely sold to Riot Games by a squeaky clean “good Jewish man” who jokes about Harvey Weinstein’s “Focus” then sold a major British literary heritage company (CBG) to Jewish founded UTA in America. This work, now under Riot’s Chinese control, was converted by a French Animation company, using cultural and employment tax breaks around Europe and the US to redirect most of the profit back to Tencent and their Military- Civil- Fusion communist dictatorship buddies, who have gained control of the future development of UK, French and US creative economics and vast, endless streams of data. Well at least it’s multicultural!

Satirical Warning!

If this isn’t espionage, 007 likes his martinis Stirred not Shaken.

If this isn’t economic warfare, Trump is not orange.

Trump needs to stop playing footsie with Musky, and they need to kiss and make up with the CIA. I get that Trump is still mad because they killed Kennedy but that was like 61 years ago. Get over it and defend the US, UK and Europe from blatant attacks on creative industries and on data. If G7, The Five Eyes (FVEY) Anglosphere intelligence alliance, MI6, GCHQ, CIA, and other 3 letter agencies, and our sleepy governments don’t wake up, we will lose our creative industries and economics and our data completely to dictatorship communism.

I’m not adversarial to Chinese people, I like Chinese… but I couldn’t eat a whole one (!Joke Punch Line Rim Shot Drum Sound!).

I’m so bad I know, call me Chucky and eat my ginger biscuit.

How this Mission Began

I was looking for a mentor, father like figure in the literary industry to champion my work. I have experienced a lot of traumas in early life and in the British Army. I grew up in an underclass background, struggling with dyslexia, a number of serious injuries, and a disciplinarian father. If I were in school now, they’d probably dump a number of other labels on me, perhaps ADHD. I experienced some difficult and damaging things outside of family life. I left home at 14 because of violence.

I joined the British Army at 16 and was prevented from discharging as of rights as a child. I was in a coma at 17. At 18, my discharge papers were removed, trapping me in the army for four years. I fought in a war I didn’t agree with at 19. I was self-medicating on Temazepam and Modafinil at 20. I had a number of medical operations which made injuries worse at 21. I was medically discharged at 22. I was again prevented from leaving and kept in limbo until I was around 25 or 26.

I had a difficult transition back into civilian life. I was diagnosed with complex PTSD, which is so obvious when it’s laid out as bear and as simple as this. I used many different vices to deal with trauma. I began writing in August 2014, after a belt of horrific insomnia. This led to Buried at Bedlam, After the Black, the first of the M.W. Wolf catalogue of fiction. At the same time, I kind of fell into lecturing in Public Services, which as you can imagine was very triggering.

I soon found that trauma manifests in very strange and twisted ways down the road.

I got into a very turbulent relationship in 2016. In hindsight, both of us had issues, but I never once retaliated to her physical violence, including attempts to kill me and herself. In late 2019, we had a child. The most beautiful and special gift of life. We soon split up and many false allegations were thrown at me, which police found to be false, yet they failed to investigate crimes committed against me. I felt targeted, let down, and betrayed by the very public service I had given my adult life to, for like 20 years. During Covid-19, I was isolated an hour away from home, and my support network, and my baby. This begins the dark period explained in the attachment.

PLAINTIFF’S EXHIBIT Q - PRELIMINARY DECLARATION OF DAMAGES - EVALUATION AND SUMMARY OF RELIEF SOUGHT

Missing so much of my daughter’s life, going through family court and having to deal with betrayal from the police and systemic infringements of my trauma writing all at the same time, whilst isolated, during a global pandemic and scare, was by far the darkest period of my eventful and traumatic life. I felt all of my past crashing in on me. I felt raped by the very systems I fought wars to protect. I felt that the whole world was against me, oppressing me, stealing from me. I felt so alone in my fights to correct the sins done upon me. Yet the more I fought for justice, the more the finger was pointed at me, and the symptoms of abuse were weaponized and falsified. 

To add to this period of darkness and instability, I was losing comrades in a shocking rate. In late 2020, in one month, five veterans I had served with died by suicide. Every time I logged in to Facebook I was met with more death; more suicide and more veterans suffering with mental illness. At one point I was sure epidemic hysteria was a factor. I stopped using FB for this reason. And because I was being shadow banned. And because it’s a CIA tool, if we’re being completely honest and neutral.

A very close veteran friend of mine, who had also faced family court, was injecting hard drugs. Along with another close veteran, we were doing all that we could to help and support him. He overdosed and died. It is unclear if this was a fentanyl case or suicide.

I channelled all of these experiences, emotions and anger into my trauma writing. In my writing, I finally found a therapy that I loved. It gave me great pleasure and enormous respite from the world. I wasn’t working but really believed in my writing, really believed that I had something important to say in my work.

Alas, writing doesn’t pay, because at the very same time I was going through the darkest period of my life, and being very open about my struggles, my work was being exploited by established writers and their agents for commissioned work and deal sweeteners for the likes of Netflix, Marvel and Riot Games.

Think about that for a second. Think about what I was going through. Think about the endless adversities I have suffered, endured and overcome to even be able to write. Two brain injuries (the first was a fractured skull at the age of 4), severe dyslexia, homelessness, wars, a coma, alcohol and drugs, domestic abuse, isolation from my daughter, family court, targeting from abusers, and so much more.

And my work, informed by all of this trauma, has been exploited and sold to Netflix, the biggest streaming service in the world. And Marvel, the highest-grossing film franchise in history. And Riot Games, the biggest gaming company in the world. And Penguin Random House, the largest English-language publishing company in the world.

Four of the world’s biggest companies in their domains. And yet, I have never sold a single book, never made a penny and spent over half of my daughter’s financial foundation, my life savings to buy a new home for us, on keeping myself fed and able whilst I write more, fight litigations on both sides of the water, and contact services to see my daughter, despite no allegations that I would or ever have harmed her or her mother.

And during this, I had already observed and logged patterns of theft by Curtis Brown Group, namely Felicity Blunt and Jonny Geller. I turned a blind eye, I kind of seen it as a rite of passage in a way, thinking surely they can see my worth and will come and pay me. I let myself get trampled on by these agents during their merger with United Talent Agency. I was kind of mystified, perhaps even starstruck because I wanted to write for a living so much.

I let Jonny Geller know that I was aware of the infringements without being accusing. I even wrote a book about agents stealing from the “Slush Pile” to feed to their “Pet” writers and shark tank writing rooms. The aim of this was to open a dialogue, metanarrative with wax and words, a parasocial conversation to say I know you have done this; I understand the cutthroat nature of business and entertainment, I know that hype trains and cultural fits of the moment is what sells books, now just pay me for my work.

Alas, this failed, soon after Lisa Jewell released Breaking the Dark a Marvel novel, agented by Jonny Geller. This one is so blatantly a mix of After the Black, Bloodborg and Bee my Agent that its embarrassing. It even misappropriates and doesn’t understand “Black Flash” from my highly scientific concept in M.W Wolf’s Inverted Organelle of Consciousness & Universe.

I really could not believe the cheek of it. And yet, I was still considering not elevating my concerns legally, so long as Jonny Geller did the right thing.

Alas again, do you know what they did? They tried to appease me with a 50 pound discount on another Curtis Brown Creatives course on X. And when asked about Breaking the Dark, Lisa Jewell was defensive and rude, then said sorry that this has happened to you before and quoted content on my website and query letters as her content inspiration. All of which I have saved.

I started to realize that this was an act of nonsexual grooming, where the predator lures victims in portraying father figures, good religious men, or a shining light, on course content and public image, so they can systemically exploit submissions to fill holes for the world’s most rich and powerful companies such as Penguin Random House LLC, Riot Games, Marvel, Netflix and to falsify assets during a merger with UTA. Predators are never happy; they keep taking and taking until they are exposed.

Again, let’s put this into perspective. You have a rich and powerful “Mega Agent” systematically exploiting the work of a disadvantaged, disabled and vulnerable adult, during the most difficult and darkest period in his life. His work has been sold to the biggest streaming platform, the biggest gaming company, the biggest Publishing house, and the biggest film franchise universe in history, and you appease him with a 50 pound discount on your course and a “Sorry that this has happened to you before” from Lisa Jewell.

Thus this was the last straw, I made Geller, Blunt, Riot Games and Lisa all aware of these cases and all chose the high road of abuse.

I would have not opened any court cases, but the absolute filth of the behaviours and refusal to take responsibility for mistakes, left me know choice. Thus I opened the cases against Riot Games. The catalyst was the way they treated the young female independent artist from Ukraine for using the word “Arcane”.

So I used some of the skills, knowledge, and pattern recognition I had developed in previous job roles to investigate the filth of the talent, entertainment and literary industries. What I found was a system reeking to the rafters of IP theft, Postmodern Predators, sexual abuse, espionage, people being protected from exposure, back-handed deals and Covert Cultural-Social-Economic Warfare driving, redirecting and skewing Hollywood, entertainment and celebrity industries, the literary and creative industries, and even science and academia. Its all about which narrative the boat master spies want to stir these ships towards. You must Pay the Ferryman by meeting the demands of the puppet master’s and in return, you’ll be given cultural tax cuts, or underaged girls, or a role as a “Pet Writer”, or a contact with a hedge fund manager to fund your research, or the greenlight for that animation show you couldn’t get off the ground because it was shit before you had my manuscript, or a proposition to become a Professor of so and so, or funding for a film or other project, or a role in just about anything you ask for and a spot on the glossy cover of Forbes magazine, or a jumped up title like Mega Agent, or an invitation to the naked masked ball.

By the time I’m finished these abusers will know that stealing my work and selling it to the likes of Netflix, Riot Games, Penguin Random House, Hollywood, UTA and Marvel was the biggest mistake of their sinful careers.

Jonny Geller is infected by the Riot Stink and Riot are filthier by the touch of his sticky fingers. It couldn’t have happened to nicer people and better players of the game… Not.

They just haven’t been listening have they? They’ve adulterated the honey and the hive, and now their hives will go into Colony Collapse Disorder (CCD). Go back and read Bee My Agent. I told them this was coming.

Conclusion

So what do you make of all of this? 11,000 words is more than a dissertation, written across two days yet informed by 2 decades of observations and concerns.  Do you think it’s bouncy, or do you see the connections, the threads, the blueprints, the playbook? A war is not coming, it’s here. It’s being clandestinely fought right in front of your eyes, and you are silently and unwittingly complicit.

What can you do? Perhaps boycott the abusers and demand transparency and protections of your data and economics. Speak up and speak out. Whistle blow, don’t read the work of pet writers, don’t play the games of companies linked to adversarial governments and agendas. Don’t allow abusers to hide behind protections. Campaign for better access to law and justice for aspiring creatives who have had their work, minds, bank accounts and bodies abused. 

Demand that your politicians, defensive powers and intelligence agencies wake up, fight back and do more to stop the Covert Cultural-Social-Economic Warfare from bleeding your economy, culture and society dry.

Or support and help victims such as Aljoscha Quooss https://www.gofundme.com/f/i-was-groomed-by-a-celebrity-help-me-get-justice?attribution_id=sl%3Af465f5e9-42d7-4f2b-ae93-af76c332f1ab&utm_campaign=man_sharesheet_dash&utm_medium=customer&utm_source=copy_link

Aljoscha was recently sexually groomed and abused by a Powerful Postmodern Predator in the UK Talent and entertainment industry. The abuser happens to have grown up in a Jewish community and household, but this is not why he abuses people. He abuses people because he is a Jungle Gun. Please go and read my Cries of Silence blog series for more information- https://www.mwwolf-fiction.co.uk/mw-wolfs-blog

In a world that parades virtue while laundering vice, where entertainment and power intersect in ritualized denial, it is not surprising that questions of atonement, justice, and duplicity resurface again and again. Whether through corporate misdeeds, cultural manipulation, or the rewriting of moral codes in executive boardrooms, the ancient cry for accountability still echoes. This piece does not offer final answers, but it insists on asking the questions others refuse to pose. Because silence, especially when bought, is never the end of the story.

I’m coming for every infringement and more some.

Settlement is respite to these abusers.

I expose cheaters of their games.

I Drink Blood, I Chew Flesh!

M.W. Wolf