Cries of Silence- Deviance & Power
An independent investigative journalist’s investigation
UK Talent & Entertainment Predator Network
(True Crime Series + Documentary Treatment)
Dear All,
This is an Open Pitch.
I’m reaching out to open pitch a multi-part, true crime exposé titled:
“Cries of Silence – UK Talent and Entertainment Sexual and Non-Sexual Predator Gossip Sphere.”
A three-part narrative mapping and documentary treatment.
There is at least one prolific sexual predator at the top of the UK and perhaps global entertainment and talent industries. I can draw the audience to the “Suspect” without making direct accusations. I know the identity of one of these “abusers” who might well be the culprit of two of these cases and many more. If protected, I’ll expose all but in a gentle and nonhostile way.
I feel, and believe, that given the impact these incidents have on all involved, the best way to contest these endemic behaviours and happenings is to try to understand them from all angles, including the mentality of the offenders.
Think: Athlete A meets Allen v. Farrow, only here, the predators are hiding in plain sight across green rooms, VIP bars, and entertainment circles.
This is not just a case study, it’s an investigation into a network of IP abuse, sexual abuse, silence, and systemic complicity within the UK’s literary and entertainment world.
The series focuses on the public testimonies of Richard Gadd, Aljoscha Quooss and Levi Davis and links to wider anti-competitive concerns and uses a pattern-mapping structure to track overlapping methods, timelines, and potential links to a high-level predator operating behind the scenes of the UK creative industries.
Each part ends with a composite suspect profile, using a military-inspired descriptor system and cross-referenced behavioural evidence. The work focuses not on accusation, but on pattern recognition, suspect, victim and geographical profiling, narrative connection, and institutional protection.
Not all Predators have claws, sharp teeth and physical dominance. In fact, M.W. Wolf’s profiling, meta-analysis and investigations show the opposite. M.W. Wolf’s “Postmodern Predators” are camouflaged in plain sight. This is the core finding of M.W. Wolf’s Jungle Gun Phenomena, which is informed by many different disciplines of thinking and science.
The Jungle Gun Phenomena is a social evolutionary theory which holds that: with the right weapons, such as guns, and in numbers, the weak rule the jungle and sexual predators are allowed to roam free with impunity.
Additionally, the investigation will look at the challenges faced by victims of the industry and the barriers they face trying to get Justice. The investigation begs questions of access to justice and sliding-doors use of case law to misappropriate law in the UK and the US.
What This Project Includes:
1. Cries of Silence - UK Talent and Entertainment Sexual Predator Gossip Sphere- Richard Gadd (Baby Reindeer).
2. Suspect profile: M.W. Wolf’s Jungle Gun Phenomena & Baby Reindeer- Describing The Industry Man Suspected of Grooming and Abusing Young Creatives.
3. Cries of Silence - UK Talent and Entertainment Sexual Predator Gossip Sphere- Aljoscha Quooss.
4. Suspect Profiling Cross-Examination: Daddy Reindeer- Cross-examining Two Cases of Sexual abuse in the UK Talent and Entertainment Industry.
These four articles are already written
5. Refinement Profiling and cross examining, with geographical profiling, behavioural links and victim profile updates.
6. Cries of Silence - UK Talent and Entertainment Sexual Predator Gossip- Levi Davis
7. 3-Way Suspect Profiling Cross-Examination.
8. Bonus: Documentary treatment and creative manuscript synopsis embedded throughout.
9. Challenges faced by victims of the industry (sexual and non-sexual victims) and the barriers they face trying to get Justice. Links to wider known cases.
10. The investigations will come full circle by addressing the Psychology of Deviance & Power, citing the works of postmodernist thinkers such as Foucault and Jean Baudrillard to perhaps draw conclusions as to why “Postmodern Predators” are inevitably anchored to the entertainment Industry.
Why Now:
With Baby Reindeer hitting global consciousness, the time is now to explore what Gadd left unsaid. And more importantly, what other survivors are saying out loud, but are being ignored.
Aljoscha Quooss has bravely come forward with testimony that aligns eerily with Gadd’s, including references to grooming, psychological profiling, and a powerful abuser embedded in London’s talent and literary worlds.
There are possible links to other very shady activities which are causing wider harm to the talent and creative industries. 90% of writers never make a living from their work because agents “Swipe and Gripe” from the “Slush Pile” and feed it to shark tank writers rooms or their “Pet” writers to chew up and sell as passionless projects to the likes of Riot Games, Netflix and Marvel.
The same companies and same circles. The industry needs cleaning up, and victims need to be protected and compensated.
Please take a moment to see the lawsuit I’m currently fighting against Riot Games- Marc Wolstenholme v. Riot Games, Inc. (2:25-cv-00053).
The people who think it’s ok to abuse the bodies of aspiring talent also abuse their work, no shocker. If they can’t keep their hands off flesh, they are not going to be clean with the pages of vulnerable and disadvantaged talent, are they?
This predator hides in plain sight.
What I'm Offering:
Exclusive rights to serialize the investigations and the three profiling documents in print or online, or on screen.
Access to extended materials and source evidence.
Option to develop a tie-in longform feature or documentary partnership.
Ongoing editorial collaboration if desired.
This isn’t a witch hunt. It’s a call to examine how the UK creative industries protect predators, and how survivors like Aljoscha are left isolated, unsupported, and unheard.
If you’re interested, I can send over the full manuscript drafts, research references, and proposed content breakdown. I’d also welcome a call to discuss how this could work in your format.
I should note that I am in direct communications with one of the victims.
I believe this story is essential, timely, and deeply connected to global conversations around power, silence, and abuse in creative industries.
Thank you for considering this work. I’ve poured everything into it, not just as a writer, but as someone who knows how these systems work and has had his catalogue of work systematically violated by the same powerful people over and over.
Best regards,
Marc Wolstenholme
Writer / Researcher