Skin Thin Creative Rapists and Postmodern Predators.

“Access” is currency, what will you do for it?

The Vince McMahon of the Literary Industry. He’ll shit in your mouth and ask you to pay for it! 

Anyone who works for, with or in connection to Riot Games, UTA, CBG, Jonny Geller or Felicity Blunt is complicit in their endless crimes, IP theft, domestic warfare, and debauchery. These wicked soulless demons will sell their own skins for a bit of coin spat at them, then wear a fake skin of honest, virtuous and righteous people.

When everything they project is skin thin, these creatures need to be banished from all creative industries.

They might go and slaughter a child, or a generation of young minds to fake atone, but they’re not fooling God, nor most of humanity. They’re only fooling kids and people who are still under their Cognitive dissonance spells. They don’t even fool the industry powerhouses that enable their actions by turning the blind eye, which is precisely the “I’m profiting” or “I’m safe” behaviours that led to the Nazi Holocaust.

These industry powerhouses allowing these crimes to take place, are analogous to the Auschwitz concentration camp train drivers, guards, or so on, who were just following orders, or just doing business, or just performing their jobs.

We all know the likes of these crime enablers. Riot Games, Penguin Random House, Marvel, Netflix and so on. Because guess what, when crime is at your door repeatedly, you are clearly not vetting the authenticity of the people and projects you are backing, like anything Jonny Geller is involved in. Thus you cannot claim ignorance and fake sorry when you keep enabling the same sticky-fingered coin loving thieves, Creative Rapists and Postmodern Predators.

By the way, the companies stated are four of the world’s biggest and richest companies in their genres of entertainment and creative industries, and my work has been sold to all four of them by the same filthy IP rapists who have destroyed and redirected whole US and Uk economics to the east with their filthy underhanded deals and fraudulent business activities.

We all know these creative industry criminals and Postmodern Predators. They are protected. Government agencies and police fear investigating them, as calls from higher up the chain prohibit this. These criminals are stealing to the sum of billions from vulnerable and disadvantaged people and getting away with it because authorities claim that the theft of IP is a civil matter. Yet if a mother stole a single loath of bread to feed their starving child, they’d be arrested and criminalised. 

Of course the criminal laws surrounding IP theft need modernising, as digital assets are now as tangible as material assets, such as a loath of bread. But it’s deeper than outdated laws. The same abusers seem to all ways land on their feet and seem to always rework themselves, to the styles of whatever they can rape from other creatives. The industry, like many other industries, are designed and set up to enable them to get away with what they are doing.

Yet, industries that foster and enable cheaters, will be cheated by bigger more demonic criminals, such as Riot Games who have exploited all of these avenues of cheating, such as Swipe and Gripe, Sabotage, Pick n Mix, IP raping, employment violations, Treasured Gateways, endless retcons to hide theft, data harvesting, economic warfare, spurious IP wars, Vanguard sleeper cells, selling secrets and US assets and data to black budgets and so on.

So now look at what we are left with. Those four biggest names in their domains, cheat or at the very least enable cheaters, who are themselves exploited and cheated by deeper and darker antagonistic forces to fuel their own cultural, data, espionage, Neurocognitive warfare and economic warfare agendas.

Thus, cheating or using creative industries of political weapons, or for warfare, from the bottom or top, fractures industries and allows the darkness to fudge pack the gaps, creating more pressure and divide until we have the black mess running veins throughout the whole creative industries with filthy tendrils entangling every aspect of the creatives.

It's like this,

The Zeitgeist Fakers

Zeitgeist Fakers are trying to force feed us with the chosen zeitgeist and that’s why nearly everything in the cinemas, books and TV these days is the same shit, rewrapped in a glossy fake cultural inclusion jacket. The big companies, or people and governments driving culture give massive cultural, inclusion and diversity grants to push narratives. They may do this for good, or think they are doing it for good. Or they may do it as an act of warfare and a psyop. But watch how it allows the cheaters to rape the creative industries to the bone for profit. And worse, it allows the creative industries to be used as weapons of warfare. The Zeitgeist Fakers lose control very quickly.

The Big Guns

The big guns (such as the four mentioned above, who my work as been sold to by Jonny Geller and others) say, “We want,” for instance, “A classical cultural work, reimagined to fit today’s flavours, and we’ll pay Changing Culture, History and Heritage Grants to you if you meet these requirements of re-writing history.”

The Big Joes, say Netflix, will take the massive grants, tender the projects and the list of requirements out to their contacts, The powerful Fanged Literary Agents, such as Jonny Geller and Felicity Blunt.

The Deviant Money Sluting Fanged Literary Agents and their Pet Writers.

The Fanged Literary Agents, who are now Talent Agents, and will dig their fangs into anything that bleeds money, will look at classical cultural works. Let’s say they or their contacts manage, or have access to, the estate of a fictional Victorian era Detective, let’s call him Shamrock Gnomes.

The Fanged Agents will say to their Fake Writers, “We need an idea based very loosely around Shamrock Gnomes and we need the idea to have a pig, a horse, a spinning wheel and a man wearing a unicorn’s horn up his backside.”

One of the writers’ will say, “Well I had this one idea about these characters who had like one line in the books but still.”

The Fanged Agent will say, “That’s it, great, what’s it about?”

The Fake Writer will say, “That’s all I’ve got I’m afraid.”

Fanged Agent will say, “Not to worry, I’ll ask my very young impressionable female assistants to slog through the Slush Pile and I’ll ask my literary consultancy friends if they’ve had anything that matches the time period or subject we want.”

After gathering up work they have rejected or not responded to, which can be fed into what they need, they then sit in the writing room, around the table, to drink blood and “Break story.” Which means to cut up the work of the aspiring writers and to “Pick and mix” it into the grinder, chew it up, spit it out, divide it into half a dozen or more episodes, add in a few things they have seen on the TV or Netflix recently, like a tear in the universe, and their good to go.

Soon they back feed fake timelines and motivations for the projects in line with the themes and stories they have been able to steal. Like, “I came up with all of this in 2018,” but wrote nothing until they had access to the “Slush Pile”. Or Shamrock Gnomes meets Spooky Shamrock Gnomes, to mask the fact that the source material is Period Gothic Horror, like Buried at Bedlam by M.W. Wolf.

Now, they have story bites, taken directly from the beats of the aspiring writers work, such as a feather man, Duck breath, tooth collection, a game of 52 card pick up and whatever else, then they have to disguise it to pretend that they are not directly plagiarising work. But they have to pay homage to the original, because abusers just love to tease their victims and make fun of theft. Satanists also believe that if you tell someone of your crimes you are free of karma. Moreover, subconsciously they have to place telltale elements of the originals in the works, or it feels incomplete. It’s kinda like predictive programming and atoning in a fucked up way.

So they change Red to Duck, Lion to Quiver, Street Children in the attic to a gang of Street Children in the basement, and yarda yarda, oh and the requirements of the contract says they must make one of the girls so utterly insufferably self-assured, sour faced and gobby that fully grown men are scared of her, in the Victorian era, when in reality of the harsh times, she’d have been an unfortunate, selling herself for a loaf of stale bread. No offence to the actress, she didn’t steal the work and make it shit, the fake writers and agents did.

This isn’t good for women and girls, it’s the opposite, it negates the hardships of what real women and children had to endure. Again, we’re back to integrity, this time of the past, and of women’s suffrage.

Fanged Agents then force fuck a bunch of their talentless assets into the project to build up their CVs and experience and cut off a pound of flesh from each of them. Because the Zeitgeist Fakers delivered shit end material, sewn together like a meaningless patchwork barrier of real talent and passion, they fail to capture the forced Zeitgeist and fail to ride any waves.

Because of this, as soon as the Changing Culture, History and Heritage Grants stop coming, the shit shows are cancelled. Whilst The Fanged Agents have sucked a pound of blood and flesh from each of their actors, directors, Fake Writers, producers and showrunners, and copped a feel of their young assistance in the elevator and shared their hotel room beds with their pet writers leaving soggy condom’s on the floor because the cleaners are below them, so they believe.

All the while, over 90% of books sell next to nothing, this produces anti-competitive tactics which is against up and coming writers, and the whole literary industry is being manipulated and constructed from Top-down, and Bottom-up by theft and anti-competitive behaviour. Thus in the middle, you have a pinch, like a sand timer of everything pushing from up and down onto the pressured narrow kink in the middle, being controlled further by unethical and filthy gatekeepers, preventing writers from succeeding.

This my friends is the Literary and Film industry, Welcome. At least it’s not Miramax, but it isn’t far from it. Talking of Miramax, in his book, Yes, But is it good for the Jews?, Jonny Geller wrote that Harvey Weinstein is a “Nice Jewish boy,” in a section about Jews being good to marry. He called Weinstein “Nice Jewish boy” directly after writing, “Not for the sensitive, as he is known for his huge temper… and shall we say “Focus”.”  In hindsight, we can deliberate on what Weinstein’s “Focus” meant. Was this a sleazy inside joke?

When you start to unravel the behaviours and semantics of these powerful agents, it begins to hint at a filthy rotting underbelly of the film and literary industry. Semantics, like “elevator pitch,” what like when your trapped up close and personal and no one can see your hands wonder? Or “Braking story,” what like braking it out of the confines of another writer’s manuscript? Slush pile, drink deals, “Focus”, little lies to publishers to progress one’s career, young female assistants, jetting off with female pet writers, building inhouse careers, spouting values whilst stealing, I mean, how fucking blatant does the true character of these Super agents need to be. These are the money hungry cheating Fake Captain America types, hiding behind shiny shields, a million white lies, and shattered dreams of thousands of ripped-off aspiring writers. This is how they become “Super Agents”. True meaning is filthy “Super Cheats” who gain the title by raping more work than anyone else in the industry.

Be careful who you share your work with. Be careful who you trust. Be vigilant of work coming out which feels a bit too much like you, wrapped in a bag of shit and fake morals and an obnoxious hard as fuck teenage girl who is allowed to abuse everyone to further the “Message.” Be careful of the ones who feel the need to declare that they are absolutely against soliciting and abusing the work of aspiring writers because they are so fucking righteous like Jonny squeaky clean Geller. And be careful of the ones who make the most, right after the streaming connections came about, then sold out to bigger talent companies. Be careful and avoid cheating Fake Captain America types, hiding behind shiny shields and fake personas. Be a Grudger Wolverine type, because that is what real humans are, no bullshit.

I’ve never met a good man, nor good woman, without a scar or two.  Thus, Aspiring Writers, “Ignore This Warning” If you wish for your work to be abused!

I have real and valid concerns about anybody sharing work with any person at Curtis Brown Group or anyone connected to them. I have valid concerns about Felicity Blunt and Jonny Geller and the way they have misused my work. Be very careful, “Ignore This Warning,” If you wish for your work to be abused!

Sell Out and Flip Agenda.

So now, from all the IP raping and theft, and the cultural grants, the company looks strong and powerful and profitable, let’s sell it. So they first exploit every tax brake they can, and stash away a few mils here and there, then sell one of the oldest British Literary agencies to their Jewish pals, perhaps because of the green beard effect or perhaps for Jewish control, or perhaps just to help out a fellow bro, or perhaps this is just a coincidence. Yet, the original cultural grants which enabled the profit making, has been all but milked to the bone and sold off at a fraudulent hyped up price, defrauding the stakeholders. Then, the Fake IP fails to stand alone, like Riot Games now that they are not backed by Chinese Black Budgets, or like The Irregulars on Netflix, Or the Last of Us, or the endless Marvel flops, and Star Wars, or Breaking the Dark, Or Arcane who pretended that they wrote and own the show when it was made from Bloodborg: The Harvest By M.W. Wolf. Then Riot blagged everyone that it was already meant to be 2 seasons, whilst at the same time stating that the reason season 2 of Arcane was so utterly shit and nonsensical was that they had to squeeze it all into 2 seasons. Ok Riot, we believe you… again.

Economic Warfare

So now, from one persons work, and people cheating and acting out of self interest and coin raping, and directly because of government cultural grants, Riot Games, UTA, CBG and others have redirected whole industries  away from the original creators into the hands of an adversaries government’s control who can now exploit the western creative industries, and branch into many more industries such as animation, film, TV, their own Web search engine, and so on, in closed cult-like online communities, where communist dictatorship values, messages and agendas are promoted and spread.

The Creative Cheat Game

Because the cheaters, cheated, they also got cheated.

Lisa Jewell doesn’t know the extent of Jonny Geller’s crimes, but Marvel has paid a commission on a Jessica Jones novel, so let’s just harvest the “Slush Pile” for this one. Jonny Geller’s got these novels of this veteran with mental health and other disabilities, so he’ll never know anyway, let’s just use his work for the Riot Games deal so we can bulk up our assets for the merger with UTA and to get a foot in the door with Netflix. Netflix has these cultural grants to cash in on, Riot has these industries to branch into and so on. All one big loop of cheaters stealing work from creatives who never, ever get recognised or paid.

The Sorrowful Impact.

1, Governments and taxpayers lose billions from failed cultural grants, gatekeepers milking and exploiting tax breaks, and whole creative industries being sold to the east for personal gain.

2, People look at influential and powerful Jewish men, like Jonny Geller of CBG and Jeremy Zimmer of UTA, acting in such a sinful and filthy, money grabbing way, see a patten of Jewish abuse and control and begin to blame Jewish people for the issues in the creative industries, which doesn’t help Anti-Semitic sentiments at a very fragile time of conflict.

3, Whole IP’s and franchises are falsely propped up, then collapsed which threatens whole industries.

4, Stakeholders, publishers, investors, readers, writers, and viewers are defrauded.

5, Creative Industries become weapons of warfare, data collection and espionage.

6, 90% of writers never earn.

7, Whole creative populaces and avenues, IPs, Tech and start-ups are left untapped or abused.

8, Whole economies are redirected or fail.

9, The industries become more risk adverse.

10, The “Message” becomes a resentful joke after people like Jonny Geller force fuck the most ridiculous “Cultural Messages” into IPs, and every single cranny they can to abuse the intent of these grants, literally crashing whole longstanding and beloved franchises overnight. Then talented people, who may not have wanted the roles anyway but felt they couldn’t turn them down, are publicly embarrassed and sometimes ridiculed because they have been misused, mismanaged and mistreated to fake a message. Now they’re careers are tarnished and destroyed because the likes of Jonny Geller and Cuntish Co used the talent’s skin colour or his sexuality to get access to quick grants and not as a human being or a talent. Here’s to you, Dr Who.

11, People like Lisa Jewell, who has written some good books but is clearly using AI and the “Slush Pile”, tarnish their whole careers because of Jonny Geller’s sins.

12, Other people connected to sinners and cheaters, Like Felicity Blunt’s sister Emily Blunt and Felicity’s Husband Stanley Tucci have their names tarnished and people start to look at them under a microscope and start to see patterns of abuse and misusing positions for personal profit, such as using positions buttressed up by stakeholders to promote their own peoples stuff, instead of actually finding writers.

13, It is unsafe to send your work to CBG and others. Noone believes or trusts in the gatekeeper style publishing industries anymore because of the behaviours of the likes of Jonny Geller, and even Universities warn of the filth of literary and film agents and agencies. Thus more and more creatives turn to self-publishing which is less protected and is a swiping ground for IP rapists, but it’s a hell of a lot safer than the CBG “Sluty Slush Pile,” which has been fingered that much it’s growing fingernails. Talking of the CBG “Sluty Slush Pile,” Did you know it has it’s own name. They call it the written date rape, because that’s what’s happening when you send your work to CBG.

14, Riot Games make up endless hyped-up job titles. Like executive producer (Runner) which the people in the positions have no idea how to perform, so they gain hyped up positions at other US and UK companies, beating out better equipped and qualified people, only to then not know what they are doing, and crashing whole projects and companies.

15, Award companies and ceremonies become membership bullshit self-aggrandising cult clubs, where people by awards. Other’s give awards to people who have clearly stolen work, to present this glittery clean image. Other’s get their potato-headed husbands writing awards basically for being famous.

16, Hollywood and celebrity circles become attack grounds because of some horrible men. Again, we see a few Jewish men like Harvey Weinstein and Jeffrey Epstein publicly ousted and exposed, then they are made to wear the masks of industry wide abuse, which I believe is related to deeper cultural, social, economic and neurocognitive warfare against Jewish people and / or western industries.

17, Endless careers, lives and talent are tarnished or destroyed because they were made to cheat, lie, or sign NDA’s to get their roles.

18, People wait until it’s too late, then we see the fake mass exodus and cancelling to save face, when they have been aware of the abusers behaviours for many years.

19, People like the two British comedians and other Postmodern Predators (Please see my Cries of Silent investigations) are protected whilst they drug and rape men and women and even groom children, because of the “cultural message” and the money they bring in.

20, Endless Creatives have to fight for years on end to gain Justice because of the barriers to Justice piled against aspiring creatives.

21, Now this has all created a very dark and disturbing creatives Industry and economy of “Access” where too many abusers are in too many powerful positions, and very few (Untalented people) are allowed to drip feed Access to real talent, and if that talent isn’t prepared to do what it takes, they will not be cast, or represented, or hired. Thus the one’s that do get through absolutely must, sit on the “casting couch” or be violated, or come up to the hotel room, or sign this NDA, or keep quiet about the source material, or lie about timelines, or to take this excerpt of this guy’s manuscript to get a seat in a shark tank “Writers Room” to gain a credit, or write for free, sell your children, or so on.

22, Now guys, we know where this is heading. Cheating and darkness leads to more disturbing cheating and more malicious, eviler blackness. Then before you know it, the music industry is infested with Satanism, The UK comedy circuit is harbouring at least two prolific rapists who might also be paedophiles, Hollywood is a breeding ground for Postmodern Predators, Disney child stars have been handled like not-so-fragile packages in the mail, Nickelodeon is a child star brothel, People trafficking is a synonym for long weekend in Hollywood, Riot Games is a front for warfare, data harvesting and espionage, the literary industry is a cultural weapon, and the biggest abusers like Jonny Geller are given hyped up titles like “Mega Agent of the Century,” because he is recognised as the most deplorable villain in the history of literary agents.

Yes people, he is The Vince McMahon of the Literary Industry. He’ll shit in your mouth and ask you to pay for it!

You can open wide and eat shit. Or boycott these creatures and forge new paths to success in these industries without pillaging, raping, drugging, stealing, violating yourself and morals, losing creative control, or selling your soul.

“Access” isn’t always a creatives friend; it can be a shackle.

“Access” to the industry does not mean access to the insides of aspiring Talents bodies.  

“Access” should not include violations of work, bodies, morals, people, laws or anything.

M.W. Wolf Ltd.